Kadeus Releases “Dimitria”
"Dimitria" is our latest single, belonging to the electropop genre. We are extremely proud of the result, especially the collaboration with Pablo, a very promising young rapper from Fribourg, who managed to elevate the music through his lyrics and melodic voice. Furthermore, we had the honor of hearing Richard Darbois' voice in the opening seconds of the track.
"Dimitria" tells the story of a brother on a quest to find his sister, highlighting the complexity of his journey. These elements, combined with desert-like sounds, immerse the listener in an immersive experience. The song captures the emotion and turmoil of the main character while enveloping the listener in a captivating sonic atmosphere.
Kadeus is an electropop duo formed in 2019 around a shared passion: electronic music. Together, they have created a constantly evolving visual and musical universe. Elio Brandolini, a self-taught producer, has over 12 years’ experience in MAO. Over the years, he has acquired a mastery of recording and mixing, he has acquired a mastery of recording and mixing, enabling Kadeus to retain total control over artistic choices, particularly when it comes to mixing. Emma Soupart, hte band’s singer and lyricist, brings the instrumentals to life. Their harmonious collaboration fuses Elio’s production skills with Emma’s creativity, enabling their music to touch listeners through captivating sounds and profound lyrics.
Sara Beth Yurow On the Making Of “Twenty One Night Stands”
Can you share any interesting or unique musical elements or production techniques used in "Twenty One Night Stands?"
“Twenty One Night Stands” is probably one of the most unique songs I’ve ever written because I’ve never gotten a vision for anything quite like it before. It’s just so dynamic. But when you get a vision, you have to go with it. I think the most unique part of the song is the crow. If you listen really closely, there’s a crow sound in the chorus. The vision that came to me had a sort of creaking, squawking element to it during the instrumental part, and for the longest time, I couldn’t figure out how to make that sound. I even remember opening and closing doors in my apartment, trying to get the right squeak from the door hinges, but it just didn’t sound right. So finally, I went down to San Diego to visit some family, and I was taking a nap on my grandmother’s couch, and I heard a crow squawk really loudly outside and just bolted right up, like “That’s it!” and I incorporated that crow sound right into the chorus.
What was the initial spark or idea that led to the creation of "Twenty One Night Stands?"
The initial spark came from a conversation I had with someone I was involved with. He had a bit of a promiscuous past, and one night he told me that he wished he could take it all back for me, which I thought was just the sweetest thing, but he said sort of sadly, and I remember thinking, “Why is this sad? Don’t you see how beautiful that is?” I saw his transformation as the most beautiful, inspiring thing, and even after we broke up, I just remember sitting on the bus one morning and just being in awe at how amazing his metamorphosis was, so much so that I wanted to immortalize it in a song, so I did.
What has been one of your favorite memories along the path to making this track?
The song all really came together for me while I was visiting one of my best friends in Stockton. It was in the middle of the pandemic when there was a lull in between surges, and I was visiting her family from LA for Thanksgiving. We were taking a walk with her sister and their dogs along a levy, and I just remember it was freezing and my hair was fading from being dyed rainbow and we were walking and laughing and I was just so incredibly happy. And Everything just came together for me in that moment in my mind; how the song was supposed to feel, the melody, the instrumentals, everything while we were on this walk.
How do you balance crafting relatable stories with maintaining your unique voice as a songwriter?
I don’t feel like there’s any friction between the two. I fundamentally believe we are more similar than we are different, so I feel that while we are all unique in our own special way and I am no exception to that it is those personal, “unique” experiences I write and sing about that are still hopefully relatable to others. That being said, I am mischievous and snarky as hell, so I don’t worry too hard about sounding like everyone else.
Who are some of your biggest musical influences, and how have they impacted your own sound?
Avril Lavigne taught me how to write. Her lyrics are so honest and raw it really feels like she’s talking right to you and that was so effective and impactful on me I guess that always stuck with me as the way to go. I started writing songs around the same time that I started listening to her, and I think you can hear the influence.
Christina Aguilera and Whitney Houston were big vocal influences for me; I was trained quite young to riff and to belt, and Selena Gomez also influenced me quite a bit now that I think about it. It’s subtle, but while I worked as a nurse during the pandemic, I would carpool with a coworker who refused to play anything for the first month or so but Selena Gomez. She wasn’t my first choice to listen to initially so it got frustrating at times, but I gotta admit her mixes are excellent and I learned quite a bit about pop hit structure; how beats, bass, and synth weave in and out to create a hit. I don’t think my coworker has any idea, but riding to and from work with her became like my little study sessions.
Premanition Releases ‘Say My Name’
Following a string of dreamy releases including “Heaven”, “Worthy” and “Mars”, the gothic artist is now revealing the fourth single off her upcoming album.
Titled “Say My Name”, the self-written single emerged with a life of its own, chanting flirtatious statements like “I’ve been waiting for someone like you” and “I need your body”, over pounding pop synths, while having a sinister undercurrent with the song’s narrative - which is essentially about demonic possession.
“Say My Name was written in one of those ‘bolt of lightning’ moments. It was like something took hold of me and I had to play it out. I love fantasy and horror stories, so I wanted to write something sexy but also foreboding. The lyrics play with multiple perspectives. It can be a sensual club grinder, but it can also be the gothic anthem of a demon or ghost trying to possess an unsuspecting person’s body,” she explains with a grin.
Premanition is an independent Bangladeshi Canadian singer, producer, writer, director, voice actor, and engineer.
Majeska Releases “John Hughes Movie”
What does it feel like to be in love? As Majeska tells us in her new track debuting, it feels exactly like a John Hughes Movie.
Produced by *repeat repeat's Jared Corder (The Black Keys, Michigander, Nordista Freeze), "John Hughes Movie" is a step-out Electronic Dance moment for Majeska. Corder and Majeska have been nonstop since meeting in November 2021 to record breakout track "Greenville." The pair have released both a full length album and EP alongside consistent singles.
“I promise to always be so honest with you until it scares me. Because that’s when the real stuff happens,” said the 23-year-old artist to her audience on a recent radio broadcast (Lightning 100/WRLT 100.1). Inspired by everything from early Stevie Nicks and Prince to fiery EDM powerhouses like Odesza and RÜFÜS DU SOL, Majeska isn’t concerned with sticking to any formula or tradition, but tapping into something much bigger than us. Perhaps that's why the artist's newest sound in "John Hughes Movie" isn't just larger-than-life—it's massive.
With entrancing John-Hughes-esque visuals alongside the release, "John Hughes Movie" is an escape from 2023 back to a time when boom boxes on shoulders and picking up the girl in your car after school were enough to make for the greatest love story ever.
Wrené Releases ‘Metamorphosis’
Toronto - Multi-talented artist, producer, and vocalist, Wrené Nova, is proud to announce the release of her latest album, ‘Metamorphosis.’This effort in contemporary pop defies conventions, explores unconventional soundscapes, destigmatizing mental health, and healing through uninhibited artistic expression.
As a prominent figure in Toronto’s music scene, Wrené Nova fearlessness in pushing boundaries and redefining the limits of Canadian pop music is evident throughout ‘Metamorphosis.’ The album is a seamless journey of self-acceptance, embracing the constant of change, and stands apart from the norm with its full concept, synchronistic flow, and lyrical exploration of esoteric concepts and ideas - all while incorporating elements that are accessible to the masses. Entirely produced using original recorded samples and textures created from soft synths, and vocal layering- Wrené has meticulously woven each track to offer a distinct sonic landscape, resulting in an immersive experience for listeners.
Themes of love, lust, sleeplessness, yearning for completeness, and the human longing for true connection grace the album, creating an intricate journal of a profound spiritual awakening. Integrating psychedelic influences, Wrené explores the surreal and reality while promoting the use of sacred substances for mental health and healing.
Through her artistry as producer and vocalist, Wrené Nova invites listeners on a transformative sonic journey, encouraging us to embrace change, celebrate individuality, and find wisdom in adversity. With ‘Metamorphosis.’ Wrené fosters healing and introspection, leaving an indelible impression that inspires both her audience and fellow artists to embrace their authentic selves.
Join Wrené Nova on this profound musical odyssey as ‘Metamorphosis’ unveils a world of sonic exploration and a celebration of human resilience.
Zarah Westhouse Releases “Is this a crush?”
This is my third song. My goal was to create a song that can be played on the beach, danced on in a disco, listened on in radio in a car, played in the cafe - literally everywhere - and acceptend from every age group. It should build a bridge between the generations. Older listeners should not condemn the Music Younger People listen to – but should get reminded on their own Youth. While the song is modern it borrows the positive vibes from previous music eras.
Drawing inspiration from the euphoria of music and the magic of the unknown, Zarah's soundscapes transport listeners to a realm of pure joy and bliss. Her infectious beats and melodies weave a tapestry of emotions, leaving audiences craving for more.
As the world eagerly awaits to dance to Zarah Westhouse's captivating tunes, she remains resolute in her mission to touch hearts and uplift spirits through her music, ensuring her artistic brilliance shines brightly, even in the shadows.
K-Syran Releases “Sunny”
K-Syran brings a fresh and vibrant twist to Boney M's iconic track "Sunny" with her organ piano house mix. This energetic rendition infuses the song with infectious dance beats and K-Syran's soulful vocals, creating a feel-good anthem perfect for the dancefloors. Get ready to groove and bask in the warmth of "Sunny" as K- Syran's dynamic interpretation breathes new life into this timeless classic.
K-Syran has seen tremendous success as a singer songwriter, actress, author, director, and lyricist, not to mention as an impassioned activist for women’s rights.
MOON AND ARIES On the Making Of “Blurred Vision”
What was the creative process like for this particular "Blurred Vision?"
Hello, thanks for speaking with us today ! You've got Jordana Moon here 🌝 I really appreciate this question. Because yeah this song came about a little differently. I actually had some lyrics left over from another song, it wasn't that these lyrics didn't make the cut, it was that the song ended up transforming so much from the original version. I kept on going back to these lyrics and thinking "they still need their moment" and I reminded Tom of these lyrics. I said to him "we just need to find a title to go along with these… I got it ! Blurred Vision!" Tom felt so inspired by these title, I think he sent me a first draft of his instrumental within two or three days. I nearly fell on the floor when I listened to it. I was obsessed from the first note and I knew exactly how I would finish the lyrics and sing to it.
Can you talk about the recording and production process for "Blurred Vision?"
I actually sang and practiced “Blurred Vision” for about a month before I went into the studio with it. The studio is in my room, so, it's always waiting for me when I'm ready. Certain songs need my emotions to be just right. Vocally, it's easy to get there, but being emotionally vulnerable with a song, takes time. This is why I will sing it to the point that it's so deep inside me, it's pumping through my blood. When I have that feeling, is when I know I'm ready to record it in the studio. And then in there, of course there are more hills to climb to get it right. But I love singing this song so much, the recording process was fun. That's always the time when I figure out all of the harmonies and how many to put in.
How do you feel "Blurred Vision" represents your artistic identity?
“Blurred Vision” is definitely a pinnacle moment for us. This isn't a song you write when you are first starting out. This is like your 500th song. We are so proud of it and it's definitely in our top 5 favorite songs, where when we need to show someone what we are all about, this is one of our go to songs. It represents our spiritually charged music and message. It's also got our signature retro / futuristic style and it's the type of song I wish to hear.
How did you two initially come together?
We found each other on Instagram back in early 2020 ! We were instant fans of one another and after 6 months of encouraging friendship, we figured it was time we collaborated. And it was magical, so we kept going. And the magic keeps growing.
Are there any specific themes or messages that you aim to convey through your music?
Illumination. Enlightenment. Tom and I always say, we are theming the great awakening. Something big is shifting in this World, and these new potentials and understandings and looking at this reality from a higher perspective, is how we craft our music. Thanks so much for taking the time to speak with us today ! Jordana Moon.
The Familiar On the Making Of “Starry Eyes”
Can you tell us about the inspiration behind "Starry Eyes" and the story it tells?
”Starry Eyes" is about self-discovery and resilience. Sometimes, one’s life and work can seem like a boat traveling through the ocean, leaving a temporary trail in the water that eventually disappears as if it was never there. The marks we make in life, however, ripple further outward more often than we realize, and if one is true to one’s path, there is always the possibility that they will merge into something greater.
The chorus reflects a determination to overcome challenges and not be weighed down by external influences or the past. It celebrates empowerment and personal growth, as the song’s protagonist chooses to shed unnecessary burdens to move forward in life.
Were there any challenges or breakthrough moments during the songwriting process for "Starry Eyes?”
We mainly work from opposite sides of the Atlantic, but we happened to have been in the studio in northern Norway when Mads started playing around with some synth ideas. Ruth heard both the melody and the lyrics for the song, and she started jotting it down. We immediately started recording vocals because we didn’t want to lose the momentum. It was actually a unique experience for us, because it was probably the fastest song that we have ever written together.
Have you noticed any particular interpretations or connections that listeners have made with "Starry Eyes?"
We've been thrilled to see how "Starry Eyes" has connected with listeners. It is moving to hear from fans both old and new. Particularly now, it seems like a lot of people are trying to find resiliency, and figure out who they are and how they want to live, and we feel similarly.
Where do you find inspiration for your songs or musical ideas?
Our sound is a unique blend of personal experiences, observations, and introspection from both of our hometowns—edgy New York City meets Arctic Norwegian landscapes.
What are some of the biggest challenges you have faced as musicians, and how did you overcome them?
Our biggest challenge is living in different countries and in different time zones. Maintaining strong communication and staying connected while giving each other space to create is part of the magic that drives us to continue to develop our sound. Sometimes life gets in the way, but we always seem to find our way back to The Familiar.
Occurrence “Slow Violence”
Inspired by “slow violence,” a term found in environmental studies to describe ecological harm that happens imperceptibly in a community, Occurrence takes it as an analogy for their fourth studio album, Slow Violence. Based on personal experiences and introspective moments, the songs in Slow Violence tackle heavy but necessary topics. From post-partum depression to the last letter sent from an ex-partner, to the discussion of failure and philosophical questions, the narratives of Slow Violence are a microscopic portrait of life itself.
Cathartic and inspirational, the twenty-two songs in Slow Violence say what much needed to be said. There’s a story behind each of these songs, whether it is dark or bright. Slow Violence sees diversity in its sounds, palettes and influences. Ranging from infectious dark wave and palpable beats to euphoric digital funk and ethereal synth pads, the album takes listeners on an expansive ride.
Bad moments are just as important as good moments. The members of Occurrence open themselves up collectively. Written from an honest space, not afraid of being vulnerable and exposed, Slow Violence is confrontational and therapeutic. Occurrence vocalize experiences and feelings that are often buried and overlooked in our daily life. Slow Violence is a tear-jerker.