Mary Knoblock “Mustang Runners”
Mary Knoblock is a bit of a mystery in the avant garde scene. For one, she brings something quite unexpected aside from the experimentation of genres and form. “Mustang Runners” is about the experience of walking alongside a friend, who’s in critical condition, but it has less to do what what we know rather what we don’t. Heartache, pain, tragedy, joy, death and life becomes intertwined together in the four walls of a hospital—“Mustang Runners” is at the crossing. There are simply so much that come through the blend of sonics, in the form of electronics, pop, classical and even goth. Like the flashing of life, Knoblock’s intricate, hypnotic sonic loops and illusive soundscapes trigger a string of imageries.
“Mustang Runners” sees a deeply stirring way of fragmentation and repetition in relationship to the motion of running and meeting one’s destiny. Contemplation deepens through angelic yet otherwise vague vocals. It leaves an impression as well as the storytelling itself. And the voice simply haunts you though no repetition is necessary. And the real fragments that are being repeated as a loop in the song leave no trace in your memory. That’s something strange and amazing that happened in “Mustang Runners.”
The seemingly straightforward song interprets experimentation in an unconventional, even mystical way. You can’t really truly understand what Knoblock did that made “Mustang Runners” so evocative and unforgettable, only that she did. And she elevates you, spiritually, somehow closer to the greater force that many call it god, destiny, or universe. There’s something unexplainable in her music, a phenomenon that can’t be explained by logic. She makes you think about avant garde music in new ways—a form that is essentially about the unknown.
Read our interview with Knoblock and learn more about “Mustang Runners.”
Punk Head: I absolutely love how unique your sound is and how "Mustang Runners" have evokes a spectrum of emotions and imageries that I don't get to be in touch with normally. What draws you to avant garde music in the first place?
Mary Knoblock: Thank you so much Katrina! Wow, I love that it helped you access a spectrum of emotions and images. You know it’s interesting you said that. I have had another friend who swore they saw floating triangles in the sky while listening to another one of my songs. I think it’s the combination of my evocative imagery in the lyrics, combined with the melody that can trigger emotional responses more easily. I didn’t intend for that to happen, but sometimes it just happens with my music and I’ll go even further to share that as an artist from childhood, I would often paint images that evoke strong emotions in adults as well, so I think it’s part of my artistic gifting I get to share with the world.
As an avant garde musician and artist, that means a lot to me. It indicates that I’m connecting with people on a deeper level than a good tune, or great beat would for example. It’s totally normal for me to have people come up to me and share their emotional memories they experienced while listening to a song I composed, and or a piece of art that I had on display. This leads into why I’m an avant garde musician and artist in the first place.
I love exploring boundaries in sound and lyrics, as well as abstract imaging. My editor from London was always very encouraging of my poetry and helped me gain confidence in writing lyrics through poetry so I guess I just found a combination between all three avenues in my creative life that combined really well in “Mustang Runners.” I’m truly touched you liked it and can’t wait to share more in the future. Embrace the responses, is what I tell my fans, let the emotions surface and observe them. It’s healing and I hope my music can help the healing journey for all my fans.
PH: How do you stay inspired and motivated to continue pushing boundaries in your art?
Knoblock: My motivation for creating art throughout my compositions and lyrics for some, drives from a very deep rooted passion to create and express myself in ways I don’t do via normal talking. So a conversation with me as an artist is very different listening to or observing the art I create. And that conversation usually evokes strong emotions in people which I love, so that’s a motivator too, seeing the observer and listener be impacted in a meaningful and profound way for them in their inner worlds. It’s pretty special to me to have that impact as an artist.
The other motivation I have is to bring more evocative music into the world to really help humans process their deeper emotions and have some past memories or feelings resolve while they listen to my music. And to stay inspired? I talk about this a bit in my book, Unblocked - I Saw Light. I go through a process of alchemy with painful experiences and joyous experiences in life and morph those experiences into abstract neo classical works without lyrics, or songs like “Mustang Runner,” and or writing in general. It’s an outlet for me, and that motivation to express is pretty universal so I’m really grateful I can share my experiences in a way that helps others in the artistic experience. At times I’ll walk away for a break from creating and without a doubt, some life experiences will always clamour for my attention to be expressed. The motivation in that case is unending. A gift to share.
PH: How is the music scene in Portland?
Knoblock: It’s pretty eclectic! We have tons of great music venues all over. Crystal Ballroom is pretty iconic. Mississippi Studios, another amazing venue. On any given night you can find all types of music being performed all over the city. I still remember watching Sleater—Kinney in the Crystal Ballroom, front rows, in a small concert hall it’s just a more ideal intimate experience. Portland is so welcoming to all the musicians too. Definitely check it out!
PH: Can you tell us more about you as an artist?
Knoblock: I grew up listening to classical, baroque, the 70’s classic rock bands, jazz and a lot of other genres in music. We also had a ton of music instruments around so I’d be on the piano or listening to my father play the cello and violin and classical guitar while my mother practiced the flute and piano. So growing up in a musical family introduced me to music at a very young age. I also stated painting seriously in my teens. I had been an artist for years before I started music composition and electronic music production. And that helped me a ton, because being a bit of a reclusive painter gave me this internal experience and feeling of expression in art without an audience and hours upon hours alone of creating works of art. This made the switch to avante garde music very easy.
I essentially had this very deep internal artistic world where I could escape totally and just sit down and compose piece after piece of music. And those first albums became a large neo classical diary entry of sorts. It really was this expressive journey of me painting with sound. As my confidence grew more with writing, I returned to singing and composing songs like “Mustang Runners.” My background is very grounded in the Fine Arts, oil painting, drawing, and now being a musician, producer, neo classical composer and songwriter.
PH: What are your plans for promoting this single and connecting with fans?
Knoblock: I’ll be doing some Tik Tok lives for “Mustang Runners,” as well as leading up to my album Emerald Vain which “Mustang Runners” debuts on again when it’s live 9/8. You can catch the single live on all streaming platforms on April 29th. It will also be on some radio stations and a lot of press will be running for it. My book will also talk more about “Mustang Runners” so look for that in the fall as well. Finally, I’d love to have an art/music show and showcase “Mustang Runners” in an art gallery show with some of my art and do a special small performance for my fans, friends and family. Stay tuned on my Spotify for upcoming dates and locations!
I Got Worms ‘The Second Shot’
The Second Shot opens a box of impressive earworms with each and every one of them full of heart and wit. I Got Worms, the eclectic, fun-loving band from Indianapolis create such a vibe with their own brand of noise coiled drones, foot-stomping rhythms and infectious melodies. They pop up anthems like candy pops. Intoxicating and irresistible. They are clever and humorous, upbeat but never lack of depth. They are the kind of artists you just know would leave an experience so deep that will probably stick with you for the rest of your life.
They are never lack of personality and little surprises. I Got Worms’ anthems have an inventive palettes of sonics. Witty word play, in-your-face lyrics, deep topics but hearty words. But there’s definitely a deepening and colorification in the progression of The Second Shot. Even though all the songs adhere to their own brand of earworms, they manage to make each song memorable and distinctive.
“Endorphins Are Good” sprays you cool with spicy guitars, where as “Waterboy” speeds up with raspy voices full of hard-hitting punches. “Ammo” is darker in sounds, “Wait For You” wears its heart on the sleeves. Pop and frankness. “Born To Die” then ends on a sentimental note.
Songs like the ones on The Second Shot can only be written from people who genuinely appreciate life for all its bullshit and fun. Harsh, no BS but plenty of BS. They just have the attitude that you really love. Like a tickle. I Got Worms is an unstoppable force. They are here to make you laugh and here to make you dance. Their songs tackle deep, serious subjects too, but all written from an honest place.
The second Shot is perfect for festivals and any kind of road trip, beach hang and live shows. They are a promise for an unforgettable night.
Oddysseys “Enough”
With haunting soundscapes making a mood-filled atmospheric impression and mesmerizing melodies linger in your ears with a lingering aftertaste, “Enough” proves that Oddysseys can make you fall in love with your music before a song reaches its end. They draws you into a spiraling and deepening introspection with your heart wide open. Something scenic and impressionistic, but at the same time, emotional and raw. You can’t really escape the influence their music has on you even if you try. There’s just something very special about these guys that gets under your skin. ”Enough” is infectious and intoxicating at the least.
As a pioneer band, Oddysseys forge their own path, one show and one release at a time. In the past years, they have left a trace of musical breadcrumbs from basements, warehouses to legendary venues across the U.S. and Canada. In the past, they have ventured into noise-coiled angsty aggression and so have they explored the elements of grunge and psych, but never the same time until “Enough.” The single marks a new era for Oddysseys. They are at a crossroad of sounds. Breaking and forging.
Through the shattered, fluttering noise came the rasping soar, but then these sharp edged sounds twist and weave into soundscapes, blurring the scenes like sonic panting. The melodies are a mood and a state of mind. They are deep in an introspective and vulnerable space, while it’s also explosive and aesthetic. There are so many different things that organically happen in the music. It traces back to the emotions at core.
Even though dark and depressive in color, there’s heart in the sound, and that’s what makes Oddysseys’ music so relatable. Dug from the underground and brings to you with honesty. They give you storytelling inspired by life, and there’s no pretense or bullshit or whining in their music. Everything in there that’s so sharply contrasting or atmospheric or sad—it’s just life.
“Enough” is at core genuine and authentic to who Oddysseys are as musicians. Together with their next single “Music Video,” they are embracing the next grand journey through a 2-part EP in conjunction tion with U.S. and Canadian tours set in July and September.
LOVESICK ‘Hoping this is the end’
Hoping This Is the End sees a glorious experiment of rock n roll meets the splendor and madness of love. Light and dark electronics painting the wildest dreams. Written and recorded in the midst of the pandemic, Lovesick’s creativity and imagination take off, landing Hope This Is the End on an euphoric land of love.
Inventive, free-spirited with unfiltered sparks of inspirations, the songs on Hoping This Is the End explore vibrantly diverse sonic palettes. “Blue skies on Mars” speaks of hope and the haze of love through an euphoric, feverish lens. “As I look in your eyes, I hope for a Hollywood ending.” Perhaps love does feel like a fever. It’s maddening and surreal, but at the same time, it tastes like cotton candy and smells like roses.
“Holiday” then charms listeners away with beautiful upright bass played by the legendary Tony Garnier (Bob Dylan’s musical director).“I’m hoping this is the end,” the quixotic sci-if singalong, passes along that intoxicating passion in the setting of doom day on earth. “We’ve been down the road” continues Lovesick’s unconventional love for music with a singing Italian puppy named Cozimo.
Attendant “Mortal Coil”
Scuzzy, heavy, nihilistic, bleak and just pure chaos. From one of UK’s most exciting rising rock band, Attendant, “Mortal Coil” proves that they can do anything they set their minds to.
With a strange vision of apocalypse and the annihilation of the human race, “Mortal Coil” finds its first sound in the shape of a voice note on songwriter Andy Walker’s phone. The initial idea might have been too heavy in their taste, but with Cleopatrick and Deftones chiming in as muses and Nevil Shute’s On The Beach as a spiritual guide, “Mortal Coil” took off and landed unexpected with an unconventional two-act structure and the runtime of 5:20.
Blowingly loud and ominously lofi. Disobedient interference and wild experimentations resulted in an end-of-the-world commotion and destruction. The lyrics of “Mortal Coil” journals through different coping mechanisms while the drums filtered through distortion pedals. They tuned the guitars down to Drop A and let imagination and feelings take over.
“Mortal Coil” is the darkest and the most experimental fans of Attendant have ever experienced. It signals versatility and ambition in the time of change. “We’d like to keep people guessing what we’re going to do next,” said Walker. “This is a side to us that people won’t have heard before. Heavier, darker, more theatrical.”
Naked Face “Eyes in Love”
Emotions soak up the luminous pop soundscapes in “Eyes in Love.” Steve Silk’s heart-wrenching vocal tells a story of heartbreak, betrayal and addiction. Inspired by his own struggles with a tumultuous relationship while battling severe post-surgical addiction, “Eyes in Love” dives into one of the darkest moments in his life.
Sometimes, knowing that you’re not alone can save a life. The Australian pop duo Naked Face tackle a heavy topic in “Eyes in Love,” but despite the weight the track carries, the sonics are woven with a sensuous light palette. There’s so much hope in the luminous skyscape, while the eclectic, bombastic groove is simply contagious. With the swirling synths and ethereal backing vocals pumping energy into your blood, it’s impossible to not feel the heaviness being lifted off of your shoulder an inch.
That’s the beauty of Naked Face’s music. They are not afraid to tackle the hardest topic, but as they utilize their experience and creativity to vocalize the unattended feelings and tough situations, they not only create tracks packed with feelings that make people feel less alone but also deliver a positive note to help them cope with the hardship.
For a drowning man, hope is everything.
“Eyes in Love” is soul-baring no doubt. It’s a cry for help and a cry for understanding. People so often judge by what they see, but they have no clue what another person is going through. With this infectious, raw and hard-hitting single, Naked Face sheds light on mental health issues and raises awareness of the danger of post-surgical addiction.
Read our interview with Steve Silk and learn more about the behind-story of Naked Face and the song “Eyes in Love.”
Punk Head: I love the mood and aesthetic painted in "Eyes in Love." I read that the track was composed during a particularly harsh time. Can you tell us a little bit more about that?
Naked Face: "Eyes in Love" was composed during a challenging period in my life, marked by a toxic relationship with my ex-partner and post-surgical opioid addiction. Unfortunately, I was overprescribed lethal amounts of oxycodone, which resulted in a dangerous overdose. I was not provided the support necessary to taper off the medication and was forced to go cold turkey, leading to a difficult and painful experience. The withdrawals left me with severe medical trauma, suicidal thoughts, and an ongoing battle with PTSD and anxiety disorders.
Despite the negligence of the doctors and hospital staff, I was able to use my experiences to create "Eyes in Love." The track serves as a powerful reminder of the difficult period in my life, and I hope that it can offer comfort and inspiration to those who may be going through similar struggles.
PH: What are you most proud of about this track?
Naked Face: I'm most proud of the fact that this track captures the pain and emotion that I felt while writing it. It's a very personal and honest reflection of that moment in my life, and I think that comes through in the lyrics and the overall vibe of the song. This track was a way for me to cope with some of the most difficult experiences of my life, including addiction to oxycodone, a painful breakup, and extreme anxiety and suicidal thoughts. Despite the challenges I faced, I was able to channel those feelings into something positive and creative. It's a reminder that even in the darkest moments, there is always a way forward. I hope that this track can serve as a source of inspiration and comfort for others who may be going through similar struggles.
PH: Can you tell us more about you as a duo?
Naked Face: As a musical duo, we share a deep connection that goes beyond just a love for music. We are like-minded individuals who share a passion for creating and performing music that resonates with our listeners. Our friendship is built on a foundation of mutual respect, trust, and a shared vision for our musical career. We are committed to working together to achieve our goals and to continue pushing ourselves to create music that is both authentic and meaningful.
Our unique blend of musical styles and influences creates a sound that is truly our own, and we are excited to share it with the world. We draw inspiration from a wide range of genres and artists, from classic rock to modern pop and everything in between. This shared musical vision allows us to work together seamlessly, bouncing ideas off each other and collaborating to create something truly unique.
Growing up, we both faced significant challenges that helped shape us into the people we are today. These experiences have given us a unique perspective on life and have taught us the importance of perseverance, hard work, and determination. This shared resilience and determination is reflected in our music, which often deals with themes of overcoming adversity and finding hope in difficult times. We hope that our music can serve as a source of inspiration and comfort for others who may be going through similar struggles.
PH: Who are your biggest inspirations?
Naked Face: As a songwriter, I draw inspiration from a diverse range of musical genres and artists. Some of my biggest inspirations include legendary bands like The Beatles and The Police and contemporary artists like Twenty-One Pilots, The Weeknd, and David Guetta.
For me, a great song is like a well-crafted piece of art. I'm constantly analyzing the structure, melody, and lyrics of my favourite songs, looking for ways to incorporate those elements into my work. I'm particularly drawn to songs with a strong emotional impact, whether through the lyrics, the melody, or the overall production.
One of my most significant sources of inspiration is my father, who is also a songwriter. We've been collaborating for years, and our shared experiences and perspectives as both family members and musicians enable us to create something truly unique. Over the years, we've developed a deep understanding of each other's strengths and weaknesses as songwriters, and we work together seamlessly, bouncing ideas off each other and collaborating to create something truly special.
In addition to working with my father, I also have perfect pitch, which has been a tremendous asset in my songwriting. It allows me to quickly identify the key, melody, and chords of a song, which helps me to write and arrange my music more efficiently.
As I continue to develop my craft, I'm always on the lookout for new sources of inspiration. Whether it's discovering a new artist or revisiting an old favourite, I'm constantly seeking out new ways to push myself creatively and develop my unique sound.
PH: What would you like to say to your fans out there?
Naked Face: To all of our fans out there, we want to express our deepest gratitude for your continued support. It's truly humbling to know that our music has resonated with so many people, and we're incredibly grateful for the opportunity to share our work with the world.
As musicians, there's nothing more rewarding than seeing our fans connect with our music on a personal level. Whether you're singing along to our songs at a live show or listening to our tracks on repeat at home, your support and enthusiasm mean everything to us.
We want to assure our fans that there's much more to come in the near future. We're constantly working on new material, and we can't wait to share it with you all. We're committed to pushing ourselves creatively and exploring new musical territories, and we're excited to bring you along on this journey.
Once again, thank you from the bottom of our hearts for your support. We couldn't do this without you, and we're grateful for every single one of our fans.
Calon “Matryoshka”
“Matryoshka” means “heart” in Welsh. Thinking of someone, still can’t seem to leave them behind, even the joy and heartbreak have faded in time—with gentle and reverberant acoustic guitar, Calon steps into his heart space. As memory gradually flooded back, feelings entangled, “Matryoshka” takes listeners to a warm, tender place where one’s passion and loss are preserved. “We had our fireworks but cling to the debris; I fell too hard for someone who wanted more than I could be.”
Calon’s poignant lyrics written from an autobiographical standpoint are a masterpiece themselves. Only through poetry can one articulate the intricacy and drastic. The ethereal, soft and illuminating soundscapes give it an even more sensible touch, finishing off with a beautifully well-crafted and immersive acoustic world. There seem to be wind bells chiming in the background, though they aren’t physically in the track. Calon creates such a dreamful atmosphere while his voice explores all the raw and tender feelings. “Matryoshka,” the wonderful song written from the heart feels too special to end.
The first half of the song gives you a kind of fragility and innocence, but passing the chorus into the second verse, the lingering feelings deepen so as the story unravels even more—a mixture of nostalgia and loss, heartbreak and acceptance.
Calon’s music always has a versatile and almost minimalistic quality to them. There are hints every now and there that remind you of commercially successful songs. There’s always the possibility for his music to adapt another form, like combining it with delicious electronics or sensuous synth or making it more modern, but Calon remains true to this intimate, genuine form, with a soul-baring voice and a guitar, a man and his story are enough. In the end, there’s no other form better than the one we’re already listening.
Read our interview with Calon and learn more about the story behind his single “Matryoshka.”
Punk Head: I love the vulnerability and intimate storytelling of "Matryoshka." Is there any challenge or obstacle that you faced while making the single?
Calon: I guess the writing process was pretty challenging in all honesty, this track (and the upcoming EP) is about the same person. I had written songs from an autobiographical point of view, but never with such honesty. I felt that with "Matryoshka", I didn't hold back, so as a result the emotions are quite raw.
PH: What do you like the best about this track?
Calon: I would say the melody of the chorus, also some lines really stick out to me, especially the first verse. It sets the tone for listeners, and I'm sure there are people that are able to relate to it. Overall I like that I was honest during the writing process.
PH: What is your creative vision as an artist?
Calon: I'd say I write from a place of vulnerability, a lot of my songs come from a place of honesty and also have a sense of desire behind them. I want to write songs that don't hold back. "Calon" actually means "Heart" in Welsh (I'm from Wales originally), and I feel that's exactly where my songs come from.
PH: Who are your biggest inspirations?
Calon: Great question! I'm a huge Jeff Buckley fan, he has some really great chord choices and that has influenced me a lot. Other than that, I'd definitely say there's a bit of Elliot Smith, Nick Drake and Radiohead in there. For some of the more summery songs I write, I definitely add a bit of Jamiroquai in there.
PH: What is the one thing that you’d like your fans to know about you?
Calon: That I'm recording my debut EP! It'll hopefully be out around late-2023. It will feature 5-6 songs, and the concept is based on aspects of a past relationship. Other than that, you can stay in touch with my journey through my social media, where I will post information for upcoming gigs and other music news!
Silvia Josefina ‘Spring Broke
The sonic world of Silvia Josefina begins at “Treehouse,” the passion for exploration meets the fear of the unknown, but fear, in that story is only a brief fleeing of thoughts. Curiosity always wins. With a dash of nostalgia and childhood innocence, Spring Broke begins its journey. Inspired by a bout of anxiety, the album sees Josefina at her bravest and most honest moments.
“Sin” contemplates on the inevitable moral struggle that follows our action, stripping away the skin, diving deep for truth. “Idk” circles back to another crossroad, of a simple but emotional entangled question. The duality of harshness and warmth then wraps up the album in the introspective “Death” and “Warmth.” Spring Broke is confessional and highly relatable. It doesn’t shy away from the questions we ask ourselves each day, no matter how big they are or how small they are—it’s the very human experience that connects us all together.
Hailing from Indiana, Josefina is a self-made artist and scientist. With crystal clear visions and an uncompromising spirit, she crafted and molded and produced every sound in the tracks of Spring Broke. Her sound, which fused industrial, pop and electronic, embraces life’s journey of warmth, sin, death, and the simple but complicated experience of being alive.
EKKAONE ‘Pamplemousse/Tsuna’
Pamplemousse/Tsuna introduces you to the introspective, moody sonic world of Brighton-based artist EKKAONE. Letting the neon-colored intoxicating modern retro soundscapes catch you when your thoughts are drifting away, being somewhere a thousand miles away, watching the tips of your feet as you walk. It’s the kind of vividness, almost exotism in his touch of sound that really brings perspective to the genre of garage and hip hop.
Like a collage of instant photos putting together a somewhat familiar, still yet ever-sprawling motion, Pamplemousse/Tsuna draws you into its sensitive drastic worlds of atmosphere.
“Pamplemousse” envelops you into a state of mood. In the recurring sounds, the thoughts deepen. Reflective, but at the same time illuminating and transparent. Like a mirror of deep water. Through EKKAONE’s music, you’re more than ever becoming aware of your thoughts and understanding their emergence. There’s a kind of spiraling continuation between sessions in “Pamplemousse,” a subconscious level of engagement. Between obscurity and clarity are the lighter fleeing sonics and the swinging vocals. “Pamplemousse” is a mood and a space of mind.
Compare to “Pamplemousse,” “Tsuna” is more sensory and intriguing with all your senses heightened. The track places you in a night you don’t want to forget. Solitude, but not loneliness—an experience you’re fully committed to, and at the same time, know that it will not last forever. It’s the taste, the smell in the air, the light, the state of mind, and the in-between of reality and illusion that is worth capturing. There’s a distance between the physical world, like an out-of-body experience under the gentle shifting of light under the night sky.
Being on the move, in the groove, and in the thoughts. The track captures the motion and the introspection of a night walk. Contemplative and sense-awakening.
Punk Head: I love the diversity of styles in this EP and how effortless and fun it sounds. What was the creative process like?
EKKAONE: Thanks! I listen to a lot of instrumental hip-hop as well as more upbeat stuff. I love them both but I felt that modern 2-step can veer a bit too far from its cheap and cheerful roots sometimes. I thought it would be nice to combine that sound with the horns and vocal cuts of instrumental hip-hop to create something new.
PH: With Pamplemousse / Tsuna being your debut EP, I'm sure you have a lot to say about it. Tell us one thing that you've learned and one thing that surprised you.
EKKAONE: I used to make a lot of music a few years ago but didn’t put much out. I would let my expectations get in the way and worry about whether the sound fit what other people were doing. With this EP, I made a conscious decision not to do that and just let my ideas and inspiration move. I’m really pleased I did as I think I’ve created something much more unique because of it.
PH: Can you tell us a little about the "B-side"?
EKKAONE: The bulk of “Tsuna” was created during a single session late at night, combining 2 disparate sample sources with a melody on keys you only hear half of. I wanted the track to encapsulate a mood and an atmosphere, rather than tell a story like most music. I like music that makes you feel enveloped in your own thoughts and I hope I got somewhere close to doing that.
PH: How is the music scene in Brighton? and What motivates you as an artist?
EKKAONE: I grew up in Brighton and have only just moved back. Back in the day, there was a big underground scene here, but I haven’t had much time to see as much as I would like recently. We have a lot of great record shops here and there is a great community within that scene. In terms of motivation, I remember seeing an interview with DJ Shadow once, where he talked about sampling being a way to breathe new life into music from a forgotten past, it always resonated with me, so when I find a new sample, I get excited to see how I can reimagine it into something new.
PH: What is the one thing that you’d like your fans to know about you?
EKKAONE: There’s more to come so keep an ear out!
Jamie Bosanko “Life Will Do”
Singer-songwriter Jamie Bosanko brings a sharply shaped, effectively sounding in-your-face accidental punk song “Life Will Do” into your ears. It might have been a derivative from the rest of his work, but the song remained warm and passionate, cynical and sentimental—everything that made Bosanko’s music what it is. Hailing from the small but busy port town of Barrow-in-Furness, life is tangled up with the rough but immersive seaside scenery, sandwiched between miles of beaches and lake districts. Materialism and the modern way of life are being put into perspective.
In “Life Will Do,” Bosanko reflects on the wasted energy of chasing a modern lifestyle, obsession over trends and being hip, however, so disconnected from one’s roots. “Life Will Do” urges listeners to take a step back. What they’ll discover is a piece of the sky they’ve always had but long failed to notice.
Perhaps Bosanko didn’t imagine the two-minute banger taking its shape in a punk rock confrontation, but the energy and the expression that naturally fused into the song burst from speakers into listeners’ ears. Shouting at the top of his lungs, Bosanko’s to-the-point lyrics carry the weight and power to shake awake a drifting soul. In the collage of imageries surrounding the things one wants in life, the loud and sharp single is simply something we all need to hear.
Perhaps the message just needs to be screamed out, punched through and carved into the minds of bewitched sleepwalkers. “Life Will Do” is a wake-up call, with all the harshness, nutrients, heart and compassion.
Aurora By Noon “Black Crosses in the Sun”
Aurora By Noon is an exceptional international ensemble with a vision to create music without borders. Genres and styles come together and spark new conversations in Black Crosses in the Sun—the Aurora By Noon debut album coming fiercely forward with twelve unforgettable music experiences, mending the bridge between past and present.
Drawing from classic influences, the songs in Black Crosses in the Sun create time capsules that evoke a sense of nostalgia while remaining untouched by time. However, modernity is unmistakenly woven into these golden palettes, creating a collage of rhythms, grooves and vivid melodic visuals. Approaching the rock genre with respect, Black Crosses in the Sun honors the genre’s rich history while stepping into the conversation of its future.
The visionary record sees an intricate, masterful work of fusion that hosts each individual ideas and allows them to fly even higher. The organic exchange of love and passion is so rich in the music that it feels infectious. The lyrics, coming from the space of introspection and history, carry much weight and poetry. Its poignant beauty and unapologetic evocation feel refreshing and transcending.
Aurora By Noon is a phenomenon band. They certainly create some noise in the world with a message much needs to be heard.
ŁUКΞ “Divine”
Even at the young age of 22, Luke is already making a name for himself in the world of electronic music. With raw talent and razor-sharp instinct, the young producer steps outside the box and seeks for a grander view in his music creation. Never afraid to experiment and break what’s been established, “Divine” is yet another track pushing him further to the top. With infectiously soaring melodies and ground-shaking grooves, “Divine” is here to introduce you to a talent that you need to know.
Music speaks louder than words. He may be younger than most, but he’s just as serious and dedicated to his work as any other producer in the game. His craft prooves that age doesn’t matter, only that he has time to achieve even more. Ambitious but humble, hard-hitting but emotive, there’s something special about this guy. For he doesn’t take any less than what he deserved. With more domestic and international venues lined up, Luke is fiercely infiltrating the night scene with his adrenaline-fueled, bombastic shows.
Luke has plenty in store for his fans in 2023. Stay tuned and keep an eye out for this young, but a rapidly rising artist.
Mermaid Avenue “Embers of Fires Gone”
Fresh from the oven, “Embers of Fires Gone” teases Mermaid Avenue’s upcoming third album. Revolving around the end of a chapter and moving on, the story-soaked single shares a piece of a weary heart that has borne too much.
Melodies passed between wailing lap steel and an introspective piano as if echoing the back-and-forth motions that one takes in the moment of saying goodbyes. There’s still so much to say, yet the words seem to have lost their way out. There are so many emotions in the collective sounds of “Embers of Fires Gone.” The feeling of warmth and nostalgia mixed with sadness, but there’s also the newfound relief and peace.
For Mermaid Avenue, music is a vessel to express and channel these very human experiences that have left a mark. To spark a genuine connection, the band strips away all rules and restraints, instead, they turn their attention purely onto storytelling and creating meaningful experiences.
Mermaid Avenue has something exciting in store for fans. And just like in the past they have only outlived expectations, what has yet to come will only see them leaping forward.
Emily Mac “Kills Me To Love You”
Emily Mac pulls the hard punches in “Kills Me To Love You,” loaded (pun intended) and fire. With darkly satisfying explosive-sensitive percussion and hard-hitting lyrics, “Kills Me To Love You” is wickedly empowering with sinister guitars crawling in the background, not without a hint from Mac’s haunting blues phantom.
Her words are sharp, like swords piercing through pages of lies. “Kills Me To Love You” is disillusioned, channeling the inner bad girl, pointing a middle finger at the ex. From punchy beats, dirty guitar licks, to sexy sassy punk allure, “Kills Me To Love You” unleashes two mountains of burden. Though flamboyant and black in color, the vulnerable lines in the track hit harder than ever: “I died in your arms,” “It kills me to love you.”
The imagery of dying is fully accompanied by gunfire in the sounds. There’s violence and darkness in “Kills Me To Love You,” but it’s not there on its own. Instead, it originated from a trauma that one seeks to put behind. In a way, “Kills Me To Love You” is bleak, much like the way how early blues documented the truth in the barebones of a song. Perhaps there’s no proper way to vocalize the dark places that one journeys to after having endured something traumatizing, but “Kills Me To Love You” understands it. The track gets there through vivid sonic symbolism that hits where it hurts, so that it may heal.
Mac offers a much-needed catharsis and closure to an unfortunate end. Sometimes, when the hurt is deep, forgiveness isn’t enough. There’s a need for resolution, a need for justice and fairness, a need to tell one’s story. “Kills Me To Love You” punches through the anger and hurt. And with Mac’s eerily haunting blues in the mix of hard rock, she gives listeners a moment alone, punching a hole through these dark thoughts.
Punk Head: I love how you explored darker themes such as toxic relationships and heartbreak in "Kills Me to Love You." The intimacy and the lyrics hit me quite hard. What was the creative progress like?
Emily Mac: It means a lot to me that my lyrics connected with you. Writing and recording “Kills Me To Love You” was intense, I was working through the trauma that past relationships had left on me and realizing that my desire for love had led me down some dark paths. Being a very empathic person it’s easy for me to take other people’s energies on as my own. So with this song, I gave that darkness back and took my power back. I feel like no matter what hard stuff you go through in life you can always walk away and start over.
PH: Hitting 50K stream with your first 2 singles is quite an achievement. How do you feel about this initial success?
Mac: It makes me so happy to see that so many people around the world are listening to and connecting with my music. It’s wild ‘cause when I was recording this album we were still in a partial pandemic lockdown and the world felt super small. I look forward to reaching even more people with my music and getting to meet them at my live shows.
PH: Can you tell us more about you as an artist?
Mac: When I’m the best version of myself, I’m channeling my experiences into art. The world is both beautiful and broken and a lot of things don’t make sense to me… but what does is music, connection: humanity. Sometimes I find it hard to express everything I want to say in my day-to-day life so I put it in a song. Rock is the perfect outlet for my emotions because it's raw and rebellious at its heart.
PH: Who are your biggest inspirations?
Mac: There are many. Some of my classic rock inspirations are Heart, The Rolling Stones and Stevie Nicks. I’m also really inspired by Dorothy, The Rival Sons and Beware of Darkness.
PH: What would like to say to your fans out there?
Mac: You are not alone, everything about you is ok; the dark parts, the weird parts and the sassy sexy parts. Be your free wild self and on the days that life feels hard turn up the volume on your rock music and let it lift you up.
Saline Grace “Bar Moon”
Following the release of The Whispering Woods, Saline Grace highlights the massive impressive “Bar Moon,” unveiling a previously unreleased track, “Yearning.” Guitarscapes shower down, carrying beautiful melodic sensibility with a touch of sorrow. Yet the darker undertone evokes vivid imagery of bleak, barren lands and cliffy shorelines. “Bar Moon” remind you of birds fluttering their wings across the ocean and sacred chants echoing amongst walls.
With permeable strummings of strings that weave into picturesque natural scenery, “Bar Moon” is cold and isolated, but at the same time, refreshing and free. Between freedom and restraint, the modern poetic embrace of feelings and medieval goth aesthetic, “Bar Moon” talks about deception and revelation, the duality embedded in our human nature.
“Yearning” continues the drastic immersive drive down the shoreline, but in the reverberant stringscapes, the track longs for the distant shore, the unknown. As eager as it is inevitable, drifting away while moving forward. There’s a kind of Western determination in the mix of deep sounds. Secrecy and more stories are being whispered through the beating rhythm. “Yearning” is a flow and a burning, an overwhelming force and a gentle embrace.
Read our interview with Saline Grace where we talk about artistry and “Bar Moon.”
Punk Head: I love the post-punk aesthetic of “Bar Moon.” Can you tell us a little bit about the track?
Saline Grace: “Bar Moon” is about truthfulness or better said “missing truthfulness.”
We all play different roles in our short life, representing a kind of person that is requested by institutions or people within our society, a mask you can say. Due to group behavior, we are liars to others and to ourselves. Betrayal and hypocrisy define mankind’s daily routine, I would say. But the question is: Who is the real person in that human body? Do we know her or him?
Thinking about the original idea of “Bar Moon,” I have to go way behind our early years around 1997. In a different version, the song was the opening track of our very first demo tape. At this time I had a singer for my songs, we called us Nobility Of Salt and lived in London. Actually, the song was still part of our second tape in 1998, which received recognition from Holly Hernandez of Holly’s Demo Hell in the English music magazine Melody Maker. It was a funny review...Then I wrote more songs, we made albums and the idea was forgotten somehow, but from time to time it came up and I was haunted in a way. And now, almost thirty years later, I finally nailed the piece. By the way, the same story happened with “The Evening Prayer”... But these are exceptional cases in songwriting for me.
PH: As a prolific songwriter, what do you enjoy the most about music making?
Saline Grace: Writing, composing and arranging music. I do like to describe the process in similarity to painting. There is maybe an initial idea that forces me and pushes me into the process of writing and composing. After that, by luck, I have a skeleton of a song like a pencil on paper. And then begins the process of arranging and I can fill the song structure with colours like painting a white canvas. In the end, I feel, that the song’s life is completed. The piece dies and will be buried gracefully with other pieces on an album...This is the way I usually see it.
PH: What motivates you as an artist?
Saline Grace: I have no choice, it is a need, a compulsion! My albums are the remains. Resting musically for a longer time makes me definitely ill. And this is often difficult being bound into invidious jobs to earn a living.
PH: Who are your biggest inspirations?
Saline Grace: Leonard Cohen, And Also The Trees and Nick Cave, I suppose.
PH: What is the one thing that you’d like your fans to know about you?
Saline Grace: I don’t like people, most of them talk too much; I hate small talk. Mankind makes so much noise for nothing. But when you are a beautiful cat, either a big cat or a house cat, you are welcome and maybe you will get an autograph...
SIR-VERE ‘Lovescope’
SIR-VERE evokes a variety of perspectives with their latest album LOVESCOPE. Released on their own Bongo Tronic Label, the electronica post-punk phenomenon throws a ruthless sonic confession in acid noir aesthetic, riding high on gritty industrial and monstrous electronica. From the first sound of the album opener, “Angel of Death,” their minimalistic hypnosis of a bassline has stamped the album with a kind of artistic seriousness.
The clanging, metallic funky tape of “Angel of Death” evokes an illusive blend of house, post-punk and funk. Inside the melodic shell of a mesmerizing phantom, the track is only the very beginning of a drastic sonic kingdom. Like spiraling into the abyss, “PEER PRESSURE” draws a raw but futuristic noir aesthetic, while the swelling, quelling “MISOPHONIA” explodes in a haunting 80s vibe. The Smiths meet Nine Inch Nails seems to be a bizarre yet welcoming phenomenon of what’s happening. With the inflating buzzing repetition that swells up against the walls, electronic streams pour down mid-track like being inside a world of digital waterfalls.
SIR-VERE stirs such a wild audio-visual ride with this record. It’s dirty, rebellious, sexy, and a little evil all at once. Like inhaling fluid paintings through your ears. So many bizarre influences and memories are intertwined, blurring the line between reality and illusion. In a distant, cold retro color, pieces of magazines, strange shapes, and hints of something and something are taped and overlapped. There’s that childhood curiosity and raw instinct in their experimentation of sounds. Through chaos and mess came their unique garage aesthetic, DIY, experimental, and spirited, and a little evil-minded.
How SIR-VERE manages to create these visual sounds would probably remain a mystery, but something else emerged by the time they get to “LOVESCOPE.” But even before then, the trace of a new perspective is already visible. “DESTROYA” brings a sexy driven pattering percussion with characteristic riffs and twangy, atmospheric rhythmic guitars. Shooting up streams of water and dirt everywhere, “DESTROYA,” like a carefree teenage boy who gets messy, dirty and sweaty, but there’s something so special about him.
“DESTROYA” and “LOVESCOPE” open your ears to hear that each song on this record can be tasted through a vivid portrait of a character. Disobedient, flaring, nasty, and unapologetic. There’s something stubborn in these songs, in the way they stick to minimalistic melodic repetitions. Like nostalgia, like holding onto something. And the emotions and vibes there become moods hard to shake off. It’s in the melodies, permeating the scenic soundscapes. “LOVESCOPE” is the most haunting yet because here, the music gets personal from sense-triggered immersion to being in a kind of mind and heart space.
Read our interview with SIR-VERE and learn more about the album.
Punk Head: I love the authenticity and unique styles in Lovescope. Can you tell us a little bit more about this album?
SIR-VERE: Well the idea the concept has always been no barriers no restrictions on our sound. I'm a Punk at heart and always have had a carefree attitude to what we do. Gary my main writing partner in the band is a true funkster. Stevie is an Alternative House Rave machine. Ian is a real indie rock-loving kinda guy. So put that all together and we have our unique sound. Lovescope shows this in many ways. Truly happy with this project.
PH: When did you first come up with the idea of writing this album?
SIR-VERE: It started in Lockdown with Gary making many demos which got my lyrics flowing. We soon realised the sound was changing and these tracks would go well together. Lovescope became the banner of the message we wanted to put out there.
PH: What are some challenges you've faced?
SIR-VERE: We all face challenges. That's what makes us stronger and makes us human. We have a great way of riding them out with positive actions.
PH: Who are your biggest inspirations?
SIR-VERE: My inspirations are varied but Adam Ant's early times, Ramones, Nine Inch Nails, The Clash, Soulwax, lcd Soundsystem...Gary, very much Radiohead and Stevie Wonder. Stevie is the Prodigy, Ian the Pixies.
PH: What would you like to tell your supporters out there?
SIR-VERE: Let's all unite be as one be yourself be proud be happy…Cheers Craig
Thrillkiller “Dark Star”
After spending most of their 2022 touring with The Protomen and Steel Panther, Thrillerkiller returns to their calling of releasing original music. The brand new single, “Dark Star” from the titular band features a timeless, magnetic infusion of synth wave, rock, metal, funk and eurobeat. With sexy, robust vocals that burst in the holy ghost fire, foot-tapping rhythm, and electrifying, gritty guitar that stirs your heart and soul, “Dark Star” is painfully epic.
“Dark Star” definitely reminds you of the music legend Michael Jackson. Having just covered “Dirty Diana,” Thrillkiller is in the right mood of taking the ghost of Jackson for another wild ride. There’s something wicked about “Dark Star.” From the glistening, illuminating soundscapes, taking a dark turn into an electrified verse with allures and danger, “Dark Star” is simply too good to be true.
Thrillkiller has you glued on the edge of your seat while having every thread of your feelings wide open. “Dark Star” introduces you to their unique, sensitive, yet thrilling sonic fusion. And that’s only the beginning. Stay tuned to the magnificent band, for they are always on the move!
888moment “Tokyo Drill”
The hard-hitting “Tokyo Drill” sees Maryland-based rapper 888moment and Toronto-based rapper SG SLAV joining force, bringing a mind-bending alternative hip hop track to light. With punchy drill beats and heavy 808s, “Tokyo Drill” shines on its authenticity and bleeding rawness. It hits hard and it hits home. With the two’s unfiltered honesty and fierce creativity, a resonance, a profound connection is formed in this very track that intertwined the distinctive styles of two into one thread of expression.
Surprising and expansive, SG SLAV’s swords of words make a strong first impression, but when 888moment’s soulfully rich vocal kicks in the hook, the track deepens. Like cracking up its hard layers of defenses and feeling the beating of a heart, with all its feelings, strength and vulnerability. “Tokyo Drill” hits different.
The track marks the first release from the duo’ upcoming album Demonz 2, scheduled to be released on April 20. Bonded by their love of hip hop and storytelling, 888moment and SG SLAV is set to take the world by storm.
Grace de Gier “Your name”
Grace de Gier is an award-winning Colombian singer-songwriter based in the Netherlands. Inspired by the aesthetics and styles of The Kilers, the Cranberries and The Cure, her music celebrates individuality with poignant, highly relatable storytelling. “Your Name” has a universal appeal, yet doesn’t lose its edge. Intertwining heartfelt lyricism with a retro sonic palette, Grace de Gier delivers an incredible song.
Imaginative, mysterious, and cinematic. “Your Name” immerses you in the experience of seeing a special person’s name everywhere, as if being haunted. The Colombian singer-songwriter is known for her unique style of mending indie aesthetic with a mainstream rock sound. Her unapologetic approach to the genre earned her the Golden Mara International Award last year, in the category of Pop Rock Singer of the Year.
Constantly inspired by what life has to offer, she captures the intricacy and complexity of emotions that we all feel and articulates them so well in her music as if she could read her listeners’ minds. Bringing hard-hitting songs that undoubtedly stir the heart in both Spanish and English, Grace de Gier is here to make her name.
Derek Lee Goodreid “Lost & Alone Again”
Inspired by Johnny Cash, Nick Cave and Hank Williams, the introspective and soulful single “Lost & Alone Again” by Derek Lee Goodreid reflects life and death. Unlike any other song, “Lost & Alone Again” bears a personal meaning. Written shortly after his grandmother passed away, the singer-songwriter poured his grief into the music and allow himself to be healed and inspired in the process.
Drawing both memories and influences from music icons like Elvis Presley and Johnny Cash, who were introduced by his grandmother, the sound of “Lost & Alone Again” naturally glows with nostalgia and warmth, woven together with the early upbringing of bible studies. Though “Lost & Alone Again” came from a place of sadness and loneliness, the track itself is cathartic and transformative.
With a page filled with honesty, soaked in memories, the latest single from the Australian artist is a meaningful release that deserves to be heard—the underlying message speaks about music, and how it heals broken souls.
As one of Australia’s most exciting rising singer-songwriters, Goodreid offers a heartfelt blend of country, blues and rockability that inspires and connects. With words that leave you pondering and melodies that remind you of a good scotch, Goodreid’s music is a must heard.