Artist Spotlight: Meet Krissy Adaluz
What was the creative process like for this particular song?
I originally wrote this song in 2017 as a High Schooler learning how to compose better-sounding songs. In my bedroom, I used my HP Laptop as the sole vehicle to create these songs, which in turn destroyed the laptop’s keyboard in the process. In terms of musicality, I was sonically seeking an ominous and dark vibe, which would be aligned with the given topic later on. The first verse spoke directly to that vibe: “I’m lost, I’m gone”. Both the music and lyrics were meant to define the void or abyss that I had interpreted as the state of consciousness of my mind as a child during chaotic times. “In the Medium” is the heaviest and barest among all 11 tracks of my upcoming album, ‘Conflicted.’ This was also one of a handful of tracks where the music and lyrics were simultaneously written.
Can you talk about the recording and production process for "In the Medium?"
There are 3 versions of the song, with this one being the 3rd and final version. I loved the electricity and mysterious vibe of it so much, I kept finding new ways to exploit it with different versions. As mentioned, I didn’t initially have the resources or equipment to strengthen the track, but eventually, I saved enough allowance to purchase a MidiPlus AK490 Midi Keyboard and a cheap microphone. Years later, the mic was replaced with an Audio-Technica AT2020. In connection with the theme of childhood, I incorporated a background synth that resembled the startup sound of a PlayStation 2, which was something I clung to as a kid. I wrote, composed, performed, and produced this song entirely myself, and worked with veteran mixing/mastering engineer Alex Reverberi to bring its gritty, visceral textures to life.
How do you feel "In the Medium" represents your artistic identity?
I am heavily influenced by Trip-Hop, so I always look to reflect that downtempo beat and moody atmosphere in my work. “In the Medium,” as the first single, was a choice to accept that mainstream doesn’t always appreciate melancholia or mysterious undertones. It’s not for everyone, and that’s okay. But I aim to establish that I have many musical facets and can surprise with a flip in moods within my music. Music is cathartic in letting go of anger and fear, so it’s naturally going to sound heavy. However, I’m also always laughing and goofing off, so you may see a reflection of that in my work, too.
What inspired you to pursue a career in music?
I learned how to play the piano keyboard in 2005. My elementary school was funded by VH1’s Save the Music Foundation in the early 2000s, so we kids had an opportunity to learn and play all of the instruments that were provided. My lovely Music Teacher, Ms. Stiel, was incredibly supportive and encouraged me to learn how to play various instruments. Learning how to read and play music was so fundamental in alleviating my emotional turmoil and seeking music as a coping outlet. I knew by 2014, as a freshman in High School, that I wanted to pursue music professionally. It took many years of building my sound and getting over my anxiety of sharing it to finally get here!
Are there any specific artists or musicians you dream of collaborating with?
I’d love to collaborate with the one who inspired me to pick up the piano again in High School- Amy Lee of Evanescence. I even performed “Lithium” and “Your Star” from their sophomore album, “The Open Door.” Not only are her singing abilities enchanting, there’s also a quiet genius in the way she says so much by saying so little—and I find that kind of artistry endlessly uplifting. As for the pioneers of Trip-Hop, I’d love to collaborate with Massive Attack, Portishead, and Tricky. These artists don’t shy away from darkness; they dive headfirst into it, weaving heavy, melancholic moods into every beat.
