John Tibbits Releases “Everything in the Wrong Place”
London — Singer-songwriter John Tibbits has unveiled his captivating single, "Everything in the Wrong Place." With roots in Birmingham and now thriving in London, Tibbits' musical journey is marked by evolution, innovation, and a profound understanding of the challenges that songwriting can entail. "Everything in the Wrong Place" serves as a poignant exploration of the creative process's trials and tribulations. The song delves into the very frustrations that songwriting can sometimes conjure—be it the formidable writer's block or the ever-present allure to mimic the work of one's musical idols. Tibbits' lyricism offers an authentic window into these internal struggles, resonating with fellow artists and music enthusiasts who have encountered similar obstacles.
At the heart of the single lies Tibbits' transformation as an artist. Departing from his folk origins, the track embraces an alternative/indie rock soundscape that signals his growth and willingness to step outside his comfort zone. The song's intricate composition transitions from a mesmerizing synth and drum loop into a full-band chorus, showcasing Tibbits' ability to seamlessly weave emotions into melody. The single's production was entrusted to the accomplished Mercury-nominated producer, Andy Ross. Ross' keen ear and understanding of musical nuances played a pivotal role in shaping the distinct soundscape of "Everything in the Wrong Place."
Speaking about the song Tibbits commented that: “I love writing music but sometimes it is an extremely frustrating process. This song is about channeling that frustration into something productive. Working with Andy was a fantastic experience and I’m excited about the new direction this song takes my music in.”
Rob: Earth-One On the Making Of “GOIN’ CRAZY”
What was the creative process like for this particular song, "GOIN’ CRAZY?"
The creative process for “GOIN’ CRAZY” wasn’t unlike the process for most of my other songs. I was going through some beats by the producer, Jesse Shirts, and came across the beat for “GOIN’ CRAZY.” I immediately knew that was the one. I listen to a lot of indie rock and have been looking for something in that realm. When I heard the instrumental, I kinda instantly knew what I wanted to write about.
Were there any challenges or breakthrough moments during the songwriting process for "GOIN’ CRAZY?"
I didn’t really have any challenges when writing the song; it all just sort of happened naturally. I did have a breakthrough moment when listening back to the demo recording. I felt really proud that I had made something this good. It is easily one of the best songs I have ever written/made. I’d like to take a second to once again shout out the incredible Jesse Shirts, who produced “GOIN’ CRAZY.”
Can you share any memorable experiences or stories from performing "GOIN’ CRAZY" live?
One memorable experience from performing this song live happened in Wilmington, North Carolina. This was maybe two months before I officially released the single. I introduced the song to the crowd, halfway through my set and told them a little bit about it. By the end of the song, people were singing along and dancing to it. That’s when I knew I had something really special with this one.
Can you tell us a bit about yourself and how you got started in music?
I have been a musician since the age of 11. My first instrument was the trumpet, then I moved to the piano/keyboard at 13 and then taught myself guitar at age 19. I’ve been writing raps as long as I’ve been playing instruments, but I didn’t really start taking it seriously and recording until about age 16 or 17. Around that time was when rapping and being a vocalist became my primary area of focus, as an artist. I still play the piano and guitar, very often.
Are there any specific venues or festivals that you dream of performing at?
Besides the obvious, like Coachella, Bonnaroo & Lollapalooza, I really want to play Hopscotch, which is probably North Carolina’s biggest music festival. The lineups are always very impressive and I feel like I’d fit right in at that festival. I’ve been wanting to play that one for years! I’d also LOVE to play The Governors Ball in NYC! I’m from Brooklyn, so that would definitely be a bucket list type of thing for me. I’d be very, very happy to make that happen at some point.
Morphine Ridges On the Making Of “Route 36”
What was the creative process like for this particular "Route 36?”
Andreas Miranda: It started off by introducing a trembling guitar melody to my honorable co-vocalist Vivi. We kept it very gentle at first, which consequently provided a well-rooted blueprint for everything yet to come. A handful of train rides provided me with the lyrics, along with the rhythmical steadiness felt throughout the track.
Was there any challenge that you encountered while making the track?
Indeed, with this track, there was this challenge of wanting to introduce an ambient flow without being too “soft”. I wanted it to be mostly quiet, but at the same time deliver a sense of strength and
foresight. I guess a certain balance was achieved, but in the end, I made it burst.
What did you enjoy most about making "Route 36?”
Making “Route 36” practically coincided with the creation of “Morphine Ridges”. This came with many new and exciting stages. This track was the first seed that we gave attention to in our newly
formed constellation. With that comes a remarkably vitalizing feeling of seeing how a sound evolves over time and begins to adopt a character of its own. This track enabled our gentle introduction into existence.
Can you share a bit about your musical background and the journey that led you to where you are today?
A significant step into the music scene happened when I joined the Kraut band “Camera”. After this, I played and toured with a handful of psychedelic rock acts. However, a personal turning point as a
songwriter occurred when I found myself going through chemotherapy. At that stage, I became strangely obsessed with Western music, the likes of Morricone and co, and proceeded to compose my own spaghetti western album ‘Beyond the Breath of Grace.’ This whole musical landscape is still a close companion and plays a significant role in the sound of “Morphine Ridges”
How do you approach collaborations with other musicians and maintain creative synergy?
What started off as a shout in the dark ended up in a straightforward kinship that grew musically in a fairly smooth manner. I trust in this sense of communion animated by a common affection towards
the sonic reflections that we attempt to deliver. You can tell if a musician is right from the get-go. I feel very lucky to play with the people I do, and I trust that our synergy will continue to unfold itself one track at a time. Shoutout to Vivi, Gigi, Maurizio and Juliette!
Jry H On the Making Of “Forever”
Can you share any interesting or unique musical elements or production techniques used in "Forever?"
I looked for sounds that would do something inside the listener's body to make him move or just some kind of a reaction while listening, also I was looking for a melody with a great sound (like on the second drop to make it hype and take it to another level
Have you noticed any particular interpretations or connections that listeners have made with "Forever?"
The feedback that I have lately from the listeners is tremendous, I am very happy that the listeners love my track and share it, and even got a few who told me that they listening to it in a loop and that’s what makes me very pleased
What did you enjoy most about making "Forever?"
What I enjoy the most is the result after a long and hard work, also the privilege to put the things that you like to hear and want to hear in your own track that’s the satisfaction.
Can you introduce yourself and share a bit about your journey into music production? How did you become a producer?
I'm 30 years old and I'm from Israel, At a very young age I started exploring music if thats by learn playing several instruments or discovering new genres of music, and thats when I fell in love with Electronic music and the dream became to make my own music that will be worldwide and be supported by the great DJ's in the world. Unfortunately, it took me a long time to decide that I was going to learn how to produce and make music but it’s never too late.
What advice would you give to aspiring producers who are looking to enhance their skills and establish themselves in the industry?
My advice is always to chase your dreams if you like it don’t hesitate to do it keep learning and developing what you know; always be patient and never give up!
Eleegal Releases “La buena”
Is there a particular ethos behind the single/EP/album or any particular music styles or events that inspired it?
Ojuju Calabar, A Nigerian Masquerade
Can you briefly describe what the song/each song is about?
It’s a chill song about a captivating girl I'm after and trying to woo her in an Ojuju Calabar style
Where was the single/EP/album recorded and who was involved in its production?
It was recorded in Poznan Poland and Producer is Orktave, mixed and mastered by Carlos Prats
Have you played any notable gigs, festivals or other events? Likewise radio or TV appearances?
I performed at Omah Lay's concert in Warsaw, I featured one time on Polish radio
Are there any other interesting or amusing happenings – no matter how small – that the band has been involved with that would be of interest to those who like your music?
I will be releasing my next song in September, I already have an EP titled Eleegal O'clock
Dominique Ilie On the Making Of "Safe''
What was the initial spark or idea that led to the creation of "Safe?"
I was writing Safe with the idea of a story for my album. Safe is going to be the first song on the album and is the overall lyrical prompt for the beginning part of the album. My songs are all about love, and this upcoming album will be no different.
How does "Safe" reflect your musical journey and growth as an artist?
I took a break from releasing any new music for a year. Safe is my first release after my break and I think it shows more maturity in lyrics and music. Obviously taste and sound change over time and not only do I sound completely different but my music taste and style have changed from strait pop to more of an R&B style.
Were there any memorable or standout moments during the recording sessions for "Safe?”
Every time I'm in the studio memorable things happen but this was really cool because it was my first time working with the producer and co-writer of this song, Danny Hajj, and Timeline. Creating this song was so fun and it was an amazing experience getting to work with those two incredibly talented minds.
Can you walk us through your creative process when writing and composing music?
For me, it's easier to write to a beat or to an instrument. It's harder for me to start with lyrics and then at it to a beat it just feels weird. I also tend to write the chorus first and then the verses. I feel like it's easier to write the more repetitive/commercial part of the song first and then get into the juicy stuff, but every artist has their own ways of writing music and there all great in their own ways.
What do you enjoy most about performing live and connecting with your audience?
Performing is probably one of my favorite parts about being a musician. Being able to see people connect with the music I create is one of the most rewarding things ever. Whenever I'm on stage I feel like I'm just hanging out with my friends and vibing, it never really feels like work.
Killah Trakz On the Making Of “For The Love”
What was the creative process like for this particular "For The Love?"
Once I heard the beat, the lyrics wrote itself. It’s a spiritual process for when I make records. I don’t think, I’m guided by the universe and everything comes together organically. Sort of how an actor becomes his character.
Can you talk about the recording and production process for "For The Love?"
EsK is the architect of the production and we’re both students of the analog realm. My home studio has a bunch of gear at its disposal. Seeing how records were doing in the golden era, I’ve purchased every single piece of equipment to recreate that sonic eloquence.
How do you feel this single represents your artistic identity?
It just represents my feeling of not conforming to standards. Not allowing myself to be held responsible for being and sounding like what’s out and then fade away into obscurity.
Can you tell us a bit about yourself and how you got started in music?
My little brother ( rip Brian Goode ) was the person who introduced me to music. He was like basically my A&R putting me on to what was relevant and buzzing.
What are some of the biggest challenges you have faced as a musician, and how did you overcome them?
The biggest challenge is finances. Having the finances to continue elevating. Unfortunately, I’m competing against majors now and have to present myself like one and move as one.
I’m still figuring out the overcoming part as each release is a new budget. A new campaign. Just have to keep working and investing.
Para Lia On the Making Of ‘In Clash With The Zeitgeist’
What was the creative process like for this particular album 'In Clash With The Zeitgeist?'
Cindy: Actually I cannot say that much about it. René is the soul and heart of Para Lia. He creates everything. He say’s am his muse, so maybe this is the only part I do in this case. J
René: The inspiration came a while ago when we found a place in Greece called ‚Nagual‘. It’s a beach bar, run by a musician from Athens. A place much different from normal beach bars beside the Greek sea. The music is special here – a lot of dream pop, and psychedelic, music throughout the decades – and special are the people who join this microcosm of alternative life. It was and is a fine enclave of free ghosts and open-minded people – and this is what we felt even more in times of Corona. With the song ‚Nagual‘ which i wrote about 2 years ago it started and from here the ‚red line‘ of the album grew.
Can you talk about the recording and production process for 'In Clash With The Zeitgeist?'
Cindy: Recording for me means, the song is almost ready. All the instruments and the voice of René are recorded. René gives me his ideas, on how my voice should be included in the song. Without notes or anything. He says:” Let us try it like this and he sings my part one octave deeper. And then I try to make it. So far we are happy with the results. J It’s an easy way for us, because in the meantime I know very well, how he wants me to intone.
René: The Para Lia recording process is an intimate thing. All the stuff is recorded at home. Without modern techniques but with passion, time, and a lot of old-school equipment. The second part is the mixing and mastering and this we did in Berlin in the studio with Thommy Hein. A great guy with tons of experience and a guy who loved the Para Lia stuff when he listened to the demo versions. So in Berlin, we worked together and we got the sound we wanted for the album.
Which song from the album do you like the best and why?
Cindy: I adore all of them. Really. The most special is “Mr. Perry” because I love the Opera part. It’s something special and it was a big wish of mine to combine classic music with Indie Rock. I am very happy with the result.
Also “Yellow Rose” reaches my heart. It´s a deep song with a lot of strong feelings and a great arrangement with guitars, piano, and the good old mellotron.
René: I do not have a favourite one. Or better to say, I have 11 favourites - the whole album as a “big round thing” and I really love the way it came out as a unit.
What are some of the biggest challenges you have faced as musicians, and how did you overcome them?
Cindy: I am in front of my biggest challenges. Next year we want to go out with our live performance. I’m looking forward and I am really excited because I am the only one in our band with no experience on stage.
René: In the song ‘Mr. Perry’ we sing about what it means to be an indie rock band without a big budget, without songs for mainstream radio and stuff like this. To get an album like this done – not only the recording but all the stuff around till you get it out - besides having a main job is a hard task. The main challenge right now is to complete our metamorphosis from an indie rock duo to a band with six members. We work hard on a live set and the plan is to go out on stage with Para Lia next year.
How did your band members initially come together?
Cindy: We met each other in 2014 and it was immediately love. Since 2017 we are even married. We have a great relationship and I love it to be a part of Rene’s life. When we came together, René played a lot of Neil Young songs with his white guitar. Ramada Inn and Cortez the killer. I can remember this very well. I loved it. Step by step he restarts with songwriting. (He did this when he was studying.) Once he asked me to sing some “huhuhuuuus” in his microphone for another song he wrote. Soap bubble dreams. This was the beginning and a few songs later Para Lia was born and Rene gave my voice more and more space in the songs, even songs only for my voice. I am very happy about this.
René: We met, we fell in love, I found out that she was like a muse to me, so i started to write songs again (after a pause of many years), and then - because i love her voice – i asked her to sing on a freshly recorded track. It worked so well, her contribution indeed was the cherry on the cake. So the Para Lia thing started. All in all a very logical process, isn‘t it?
AJAYE Releases “Growing Up - Live”
Growing Up, the first live video of award winning artist AJAYE’s upcoming acoustic EP Silverline will be released during her second European tour.
The first video of this series, Growing Up, is a sonic, lyrical and visual introduction to AJAYE’s world. The first of seven songs offers a reminder to be kind to oneself through every season of growth because we never stop learning about what it means to be ourselves.
“At some point, we all break free from the stories we believed and begin to write our own,” says AJAYE.
Growing Up was written by Ajaye and Joni Delaurier, produced by Joe Ernewein, engineered and mixed by Steve Dawson at The Hen House Studio (Nashville TN), and the video was filmed and edited by Jason and Chelsea Garriott of Music Neighbors.
Earning a name performing in the Nashville club scene, including regular performances at the legendary Bluebird Cafe, AJAYE is an award-winning artist who has built a solid reputation as an outstanding vocalist and songwriter both in Canada, the United States and Europe. She was awarded the 2019 British Columbia Country Female Artist of the Year, has performed on Today in Nashville and CTV Morning Live, is an endorsed artist with AMI Guitars and Lanikai Ukuleles, and performs regularly across North America and Europe.
Kadeus Releases “Dimitria”
"Dimitria" is our latest single, belonging to the electropop genre. We are extremely proud of the result, especially the collaboration with Pablo, a very promising young rapper from Fribourg, who managed to elevate the music through his lyrics and melodic voice. Furthermore, we had the honor of hearing Richard Darbois' voice in the opening seconds of the track.
"Dimitria" tells the story of a brother on a quest to find his sister, highlighting the complexity of his journey. These elements, combined with desert-like sounds, immerse the listener in an immersive experience. The song captures the emotion and turmoil of the main character while enveloping the listener in a captivating sonic atmosphere.
Kadeus is an electropop duo formed in 2019 around a shared passion: electronic music. Together, they have created a constantly evolving visual and musical universe. Elio Brandolini, a self-taught producer, has over 12 years’ experience in MAO. Over the years, he has acquired a mastery of recording and mixing, he has acquired a mastery of recording and mixing, enabling Kadeus to retain total control over artistic choices, particularly when it comes to mixing. Emma Soupart, hte band’s singer and lyricist, brings the instrumentals to life. Their harmonious collaboration fuses Elio’s production skills with Emma’s creativity, enabling their music to touch listeners through captivating sounds and profound lyrics.
Pelikan Rogue Releases “Crawl”
The new single 'Crawl' shows the depth that new keyboard player Gavin Lauchlan has added to the band through layers of meticulously crafted synths and pumping dance piano. Manson's guitar hook is an instant earworm, culminating in a solo that reverberates through venues up and down the country.
Despite the upbeat and catchy feel of the song, audiences will find an oddly dark edge to Russell's powerful lyrics in a cautionary tale of overindulgence and bad decisions.
Pelikan Rogue are going from strength to strength in 2023 with their long-anticipated new releases. Following 2019's undeniably catchy 'Podium Queen', vocalist Scott Russells’ foot-tapping ode to his dancer wife, fans were treated to a more melancholy and poignant tune in the summer of 2023 with the release of live favourite 'The Vet', which once again saw the involvement of J.P. Reid of Succiopero & Marmaduke Duke alongside talented Ayrshire producer Tony Strachan.
Complimenting the watertight rhythm section of Andy Strachan (bass) and Adrian Chow (Drums),new guitarist Gus Manson brings soaring guitar solos and hooks that captivate audiences from Liverpool's Cavern Club to Glasgow's King Tuts to packed-out festivals.
With more music to come in 2023 and sold-out shows booked, expect the buzz around Pelikan Rogue to grow even louder!
My Life Story On the Making of “I'm A God”
How does "I'm A God" reflect your musical journey and growth as a band?
In some ways, it’s a good example of the hybrid nature in which we now work. It starts off entirely electronic and then finishes with Les Paul guitars, real bass and drums, and a string section.
Could you discuss the lyrical themes or messages conveyed in "I'm A God?”
The title is obviously provocative and the lyrics are meant to challenge our preconceptions of what a ‘god’ is. To so many people a god is still a divine comfort blanket, a concept for living a righteous life. To many others, it’s a footballer or a daytime TV celebrity.
I wondered how many complaints about blasphemy I would get on social media - I’ve had 1 so far. Which is an interesting exercise in itself. Obviously, it’s not (blasphemous) It’s a statement about our culture, by juxtaposing a real god next to a false idol it creates a collage of lyrical contrasts.
How does "I'm A God" fit into your overall artistic vision?
I’ve always loved ‘listing songs’ one of our best-known tunes is 12 Reasons Why I Love Her (1996) which is just a shopping list of love.
So in some ways, it’s very traditionally My Life Story.
What has been one of the most significant moments of your musical journey so far?
Recording Adele when she was just 11 years old ended up being significant when it wasn’t initially.
What do you enjoy most about performing live and connecting with your audience?
A sense of completeness. It’s the final act of all the hard work... writing, recording, and producing is the groundwork. Performing live is like going into labour!
SHSH Releases ‘The Great Paradise of Tomorrow’
Lithuanian industrial thrash giants, SHSH bring metal fans some pure paradise.
When it comes to industrial thrash metal, they don’t come much more on mode than Lithuania’s SHSH. Not only is their sound so huge it could take a crane to carry the guitar riffs across the stage but all band members go under a range of wild names and suitable costumes like superheroes. Formed in 2017, in Vilnius, Lithuania, SHSH has taken the country by storm and now is set to take their music into the UK and beyond with the release of Homeopsychopathy from the album, ‘The Great Paradise of Tomorrow’. Originally intended as a one-time, single-song “diss” track project, SHSH quickly gained local support for their mischievous attitude, theatrical live performances, catchy metal riffage, and comical take on dark topics.
SHSH is made up of five friends who as mentioned, embrace names such as Mastermind, Saxocutioner, Riot, Mr.Lead, and Edgelord.
it is not just the music they feel strongly about as they are also a band on a mission - “We are currently working on an intentionally edgy metal movement”
Michael Lyon On the Making Of ‘What Could Be’
What was the creative process like for this particular ‘What Could Be?’
This album of 14 songs - from the 25 or 30 recorded - turned out to be about 3 years in the making. By the way, quite a few of these songs were written during the pandemic - a time when it felt (justifiably) like you were risking your life to be spending many hours in the enclosed indoor space of a studio. (Nothing quite like the taste of danger to help you "be in the moment?!")
Most of the songs began their lives while I was sitting on the edge of the bed - often in the evening - strumming a guitar and jotting down potential lyrics on the nearest piece of paper.
Whenever it seemed like there was "something there" worth building upon, I tried not to get too impatient and force things. As a result, most of the songs took weeks to grow into the songs they "wanted to be." That included many return trips to the edge of the bed as each song began taking form, LOTS of rewrites (the title track, "What Could Be," had 24 drafts) and numerous sessions working with the great recording engineer, Paul Horabin at ReadyMixMusic in Van Nuys, California, over a period of weeks & sometimes months for each song. Once a song reached a fairly developed stage, I'd often share the latest recorded version with good friend (and Santa Monica guitar teaching legend) Kit Alderson, for any suggestions he might have about moving lyrics, vocals, instrumentation... up to the "next level."
Which song do you like the best and why?
There's the old and true saying of course that you can't play favorites with your (in this case, "musical") children, but if you're looking for just one, I'd say, "Love" - song #3 on the album. "Love" had a special feeling about it while it was being recorded - working on the vocals, for example, "going for that "Lennon/McCartney" vibe... when listening to the final version I've always liked the energy it has, and perhaps most of all, it reflects what I believe in: whatever success we have in the world really IS based on how much we're able to love each other.
How do you feel ‘What Could Be’ represents your artistic identity?
As with my first three albums, PICTURES, WAKING UP, and CURIOSITY, I think the new one, though influenced by many singer-songwriters who have blazed the trail in previous decades, remains uniquely me. Individually, and as an ebbing/flowing whole, the songs on WHAT COULD BE are true to how I personally view the world: with a mixture of concern, hope, and celebration.
Can you share a bit about your musical background and the journey that led you to where you are today?
From the time my parents woke up the children for school by blasting Broadway show tunes at the crack of dawn on their record player... until admitting to myself that while there are many far-fetched dreams out there, my becoming a songwriter is actually one of those that's actually possible (along with summoning enough self-belief that, "I can really DO this")... and with that, proceeding to start writing and recording songs on a regular basis 12 years ago... to the point that, today, lo and behold, here we go with the release of my fourth album. I can hardly believe it. But if you'd asked me if I'd be able to: get tickets for 9 out of 10 acoustic shows Neil Young played at a 150-seat club in San Francisco... be cast in one of the lead roles in a production of Gilbert & Sullivan's Pirates of Penzance having no prior experience... or take up the violin as an adult (and in the process become lifelong friends with Mozart, Beethoven & Haydn - at least in spirit) I might also at one time have said, "it will never happen - you're crazy." Crazy or not, music has always been, and always will be for me, THE closest thing to the kind of magic that makes life well worth jumping up and down about.
Where do you find inspiration for your songs or musical ideas?
Anywhere and everywhere, high and low - the good, and sometimes the bad and the ugly. When Covid had me laid up in the summer of 2022 - actually, laying down for the most part - on a mattress in the computer room with the TV tuned to the Congressional hearings about the January 6th Attack on the U.S. Capitol, I was grateful to have a keyboard next to the TV that allowed me to start picking out the right-hand melody/left-hand accompaniment for the song, "Justice Day," which became track #5 on the WHAT COULD BE album - peaking of Covid, while there are no words to adequately express the pain and horror at watching how many have suffered and died from that disease, the song, "How Long It Takes" (track #4 on the new album) has been a way of channeling my frustration over how Covid wrecked life as we knew it for a good while, hopefully into something that could provide at least a few minutes of comfort.
Ozz Gold Releases “Give You My Love”
This track is my musical manifesto, showcasing my desire to spread love and positivity through music. As I transition out of the Air Force, begin my studies, and launch my full-time career in LA, this song is my vibrant declaration to the world. I hope you like it!
Ozz Gold is a Producer & DJ based in Las Vegas. After graduating from the United States Military Academy at West Point. Ozz moved to Vegas and started his music career. Transitioning his call from military service to uplifting thousands through music, Ozz finds fulfillment when he looks out at a room of people dancing to his music. He is inspired by both tropical and progressive house artists, such as Kygo and Alesso. With them as an inspiration, Ozz’s purpose is also to spread love and happiness to all of his listeners. Ozz has performed for audiences in New York, Los Angeles, Miami, and Las Vegas, and recently produced his debut release “Unknown. Though Ozz’s background is unconventional, he is making a dent in the music space at an extraordinary rate.
Sylvan Weekends Releases ‘Headlong into the Unknown’
What was the creative process like for this particular EP 'Headlong into the Unknown?'
With our first EP, 'Outliers' we were still figuring out a lot of things about our sound and what type of music we wanted to make. With this EP, our second, we had a better idea of what we wanted to achieve with each track - the feelings we wanted to evoke with each one, the nostalgia we were trying to unlock, and how our particular combination of folkiness (from Matthew) and synthy piano (from Freya) comes together.
Were there any memorable or standout moments during the recording sessions for this EP?
Matthew and Freya co-wrote and co-produced the songs together - sometimes together in the same room and sometimes sending files back and forth. The title track, “Headlong into the Unknown,” was a really interesting experience - the song started life as a folky gentle song about wild swimming but when Matthew and Freya got together to actually record, it totally transformed. They wrote a new chorus really quickly, changed the vibe of it and it became more energetic and started to represent the excitement of new experiences, and heading towards unknown things... which we feel like we are right now!
What has been one of your favorite memories along the path to making 'Headlong into the Unknown?'
Learning the dance for the Foolhardy (I will never forget this summer) music video was a lot of fun - we were in hysterics the entire time. We had a time pressure before we lost the light as the sun was going down - Matthew's sister Julia had choreographed the dance and was drilling us out in the car park and we kept taking it in turns to mess up - but we got there in the end!
Can you tell us a bit about yourself and how you got started in music?
All of us are lifelong musicians - we've all been playing since we were tiny and in school bands and orchestras, and with our families, and have been in various bands over the years. Matthew is in the folk band Keston Cobblers Club which he created with his sister Julia, and he and Daniel are also in the folk band Stables. Freya had a solo folk project (which Matthew produced), and has been a member of LCV, singing with artists like Imogen Heap and Basement Jaxx - and also has a solo instrumental piano-synth project. So, we've all done tonnes of different things, but there's something really special about Sylvan Weekends - it feels like it's just working in a great way and like our individual styles compliment each other.
What do you enjoy most about performing live and connecting with your audience?
We've just finished a 16-date tour around Germany and we had the absolute best time. Our favourite thing is when we notice people start to really lock into the songs, start moving a little bit because they feel like they need to dance or start to react emotionally - as it means they're understanding the songs how we intended them. We always challenge ourselves to get as many of the audience bopping along with us as we possibly can - it's such a great feeling when the audience comes up afterward to tell you they've had a great time.
P.M.Tiger Releases “Mr. Big Shot”
Is there a particular ethos behind the single/EP/album or any particular music styles or events that inspired it?
This song honed in on our Indie Rock and Indie Pop style. It is the most P.M.Tiger song out on the market to date!
Can you briefly describe what the song/each song is about?
What do you get when you mix Kanye West and the 1975 together. No Clue... but both of these artists are wrote the book on big egos. Mr. Big Shot is about self-reflection and catching yourself when your ego has led you astray.
Where was the single/EP/album recorded and who was involved in its production?
We recorded Mr. Big Shot with our good buddy Austin Coupe in Lakeland, FL. He's the most gifted producer that we know, so we wouldn't have chosen anyone else.
How and where did you get together?
The three original members (John, Jordan, and Josh) got together about 7 years ago. It all started in Josh and Jordan's parent's FROG (front room over the garage) when Jordan wrote a few songs. Josh had never played any instruments, so he just learned to the keys so he could play too. John would drive up to GA from Clearwater, FL just to practice with us.
Are there any other interesting or amusing happenings – no matter how small – that the band have been involved with that would be of interest to those who like your music?
We are just genuine dudes. We really feel that this shows in our music and on camera. So, if you check out our music videos, you will see some weird stuff.
A-Zal On the Making Of “Movie Script”
What was the initial spark or idea that led to the creation of "Movie Script?"
My life and story were the initial sparks to the creation of “Movie Script”. When I embarked on creating my album, it was crystal clear that I needed to draw inspiration from my personal experiences and weave them into my songs. The journey from the initial spark to charting in US radio has been nothing less than a movie itself. I knew this song had some magic in it, and making it to Mediabase TOP40 Activator Charts in just 2 weeks of the release is something I never anticipated. I thought the only way to get into the USA charts was if you were signed to a major record label. To see my song charting and being played on the radio alongside my favorite artists such as Ed Sheehan, Taylor Swift, Dua Lipa, and Olivia Rodrigo. The song started at #114 in its first week and later climbed to #92 in its second week. Now, things started to swing after it got into the top 100. In its third week, the song moved up by 31 positions to rank at #62. It has also been playing on the radio in the UK and Australia.
What was your favorite moment in making the music video?
My favorite moment was when I saw the green screen footage turn into an animated video which exactly translated my vision of the song into powerful visuals. We spent three months in the post-production of the video as it required a huge amount of animation. I loved the fact that Taylor Swift self-directs many of her music videos and I always wondered how she did it. But, after doing it myself, I strongly feel that a singer should self-direct their own music video.
How does"Movie Script" fit into your overall artistic vision?
"Movie Script" serves as a solid representation of both my musical identity and artistic vision. My aim is to uphold a unique sonic signature while also infusing a commercial and radio-friendly quality into all of my tracks.
Can you tell us a bit about yourself and how you got started in music?
I migrated to the USA in 2018 to work in Hollywood and get my music to the West. The plan was to set foot before I released my independent music. I landed up working with Marvel Studios on two of their major television series, Loki and Ms. Marvel. This literally propelled my career and gave me recognition in the industry. I felt it was the right time to announce my album which I did just after the release of Ms. Marvel in 2022.
Can you share a memorable experience from a collaboration that enriched your music?
So far, one of my best collaborations has been working with Alicia Keys on the movie she produced - Resort to Love. This is a Netflix film and although I didn’t collaborate on music directly with her, but she produced the movie and I wrote a soundtrack for it. I have always been fascinated with Alicia’s vocal range and it was an absolute honor to work for her movie. Going forward, I would love to collaborate with two of my favorite artists, Ed Sheeran and Dua Lipa.
Mourning Moon and Knight On the Making Of 'I Should Go'
What was the creative process like for this particular 'I Should Go?'
The process was very cathartic. These three songs originally stemmed from different projects that we’ve focused on at various stages over the years. At a certain point, we took a step back and realized that the three of us (Jon, Che, and Christian) were always involved in each other’s creative processes, and so we decided to put aside individual projects and join everything to form Mourning Moon and Knight. Finally getting to work on all of our stuff together was a natural evolution of our collective bond and growth as musicians, but also a ton of fun!
Can you talk about the recording and production process for 'I Should Go?'
We’re very much a DIY band. We have our own studio, and so this release was recorded and produced in-house. The recording process was pretty organic - we’ve been gigging these songs for a while, so they were recorded together live. Drew’s drums laid the foundation for everything that became the recordings, and we cleaned up any little bits that we needed to with some overdubbing. For each song, the songwriter took time apart to do an initial mix to hone in on their specific vision. But in the end, we sat together to finalize the mixing and mastering process. It gives each song a distinct feeling, while still keeping a cohesive thread throughout.
What is your personal favorite song from 'I Should Go' and why?
I think that depends on who you ask! ;-)
Can you tell us a bit about yourself and how you got started in music?
We’ve been a musical family for a long time. Che is actually my (Jon’s) father - he nurtured creativity, having us playing and performing around NYC from a very young age. We developed a very strong bond and have worked together closely for some time. Christian and I have also known each other since our early teens. We bonded over the love of bass guitar, pushing each other to grow and experiment musically the whole time. Once we resolved to start Mourning Moon and Knight, we met Drew, whose musical instincts and dry humor fit in well with our group. We weren’t really MMK until he joined the fold and completed the ensemble.
Where do you find inspiration for your songs or musical ideas?
One of the biggest things that ties our musical tastes together is progressive rock. But each of us has different roots and perspectives that influence our songwriting and approach to performance. Collectively, we really enjoy pushing ourselves to try and write music that we haven’t heard before. That manifests in us experimenting with many different genres and topics. Each of us has a story to tell, and we are working to tell those stories together
Eva Westphal On the Making Of “Adult”
What was the creative process like for your new song "Adult?"
I first felt the spark that became a full-fledged chorus, and I wrote the verses all in the same night. It was one of the fastest songs I’ve written, and I wrote it alone – it felt really personal and healing.
What was the initial spark or idea that led to the creation of "Adult?"
The initial park for “Adult” happened in February of this year, which is historically not the easiest month for me – it’s a time in the year when a lot of old memories and negative emotions come up associated with my past. I had a particularly reflective day, where the realization hit me that my younger self wasn’t strong enough to fight back against what was happening, but my adult self is. I found myself wishing I could go back to her and take care of her. So I wrote the song in less than an hour!
Have you noticed any particular interpretations or connections that listeners have made with this single?
I’ve had quite a few listeners reach out to say they’ve shared “Adult” with their therapist and discussed the lyrics, which feels like such an honor – the song has found a place in their healing.
Where do you find inspiration for your songs or musical ideas?
I find inspiration everywhere – from sunsets and living in New York, to friendships and mental health. I just love when an idea pops in my head and I know I need to make it into a song.
How do you balance crafting relatable stories with maintaining your unique voice as a songwriter?
I try to just remind myself that I’m not here to get famous, I’m here to help others through any means possible.