Maximilian Wentz Debuts Metalcore EP ‘Memories 1: The Storm’
Heavy Metal-Metalcore musician Maximilian Wentz is excited to announce the release of his debut EP, Memories 1: The Storm on July 14, 2023. This highly anticipated project showcases a shift towards a heavier, more metal-oriented sound, marking a departure from his previous work. With a focus on self-reflection and personal experiences, this EP represents the culmination of years of growth and development as an artist.
Recorded at On the Fringe Studios in West Newbury, MA, the same studio where Maximilian recorded his debut album, MARE, the new EP was expertly crafted in collaboration with a dedicated engineering team. The decision to return to this studio was based on their unparalleled expertise in the genre and the successful collaboration that occurred during the creation of the prior album and singles.
“In my latest EP, titled Memories, I embark on the most intense musical journey of my career. This release showcases my most personal and arguably heaviest material to date. The lyrics emotionally capture a sense of impending collapse, as if the very structure is crumbling, and the weight of the waves crashing against my bones can be felt.” ~Maximilian Wentz
Drawing from his extensive experience of writing, recording, and producing 18 previously released songs, Maximilian Wentz seamlessly incorporates the lessons learned from the past into this new EP project. By carefully considering feedback and responses from prior releases, the EP presents a cohesive and genre-specific sound that ensures a solid fit within Metalcore.
Memories 1: The Storm serves as Part 1 of a trilogy of EPs, with each song reflecting on different aspects of Maximilian's childhood and young adult years. The EP captures the essence of old-school metalcore from the period 1998-2005, showcasing Maximilian’s versatility as he skillfully handles multiple instruments, including guitar, drums, bass, piano, percussion, and vocals.
The Margaret Hooligans On the Making Of ‘Saturday Night in Bartertown’
What was the creative process like for this particular album 'Saturday Night in Bartertown?’
Not really any different than any other release. I throw microphones at Mr. Strontium, he cries into his hot wings, and then we get on with it. We jam on stuff, record what feels promising, and then we listen back and create songs out of the best bits.
How did you approach the arrangement and composition of the music for 'Saturday Night in Bartertown?’
I tiptoed around it like a sleeping baby, then yanked the carpet out from underneath the crib. Truthfully, there’s no plan. If it feels good (especially at the beginning, feel trumps sound), then we’ll turn it into something.
Were there any memorable or standout moments during the recording sessions for 'Saturday Night in Bartertown?’
There was that time a full grown man wearing a cat suit just walked by while we were recording my vocals, that was weird because we record in our basement. I kept thinking, how big are the mice in our house now that we need full grown men in catsuits to keep them in check? A memorable moment came when for years I thought the Witch On The Corner was named Patty, and Meg told me that I had simply made that up.
How would you describe your musical style or genre?
Underground garage dance punk with a drizzle of bluesy hot sauce. We try to be a two-piece version of The Who, that is if Roger became a woman, Keith Moon lived past age 32, and Pete Townshend stayed simple because he didn’t have to compete with Page, Beck, Hendrix, Clapton, Blackmore, and the rest of the guitar god wankers.
What role do you feel emotions play in your music, and how do you channel them into your performances?
Everything we write comes from a place of humor, but humor is used to deal with the anger and seriousness underneath. We are living in some batshit times and the best way to deal with that is to make some art and music that reflects that chaos.
François Marius On the Making Of "Ça Roule Rastaman"
Can you tell us about the inspiration behind "Ça Roule Rastaman" and the story it tells?
The phrase “Ça roule” in French is an informal way to say “OK”, “Alright” or “Agreed” depending on context, but in this context we love to think of it as “That’s cool, Rastaman”.
How did you approach the arrangement and composition of the music for "Ça Roule Rastaman?"
Well, I move one year ago to Estotia from the Netherlands one year ago. I always wanted to move to this country with extrem weather and knew something will come out of it. You know what, I was so deppressed with the cold winter during my first year, i decided to make this song "Ça Roule Rastaman?" with tropical feeling and groove. So, I would say that this song is a by-product of Estonia.
Can you talk about the recording and production process for this "Ça Roule Rastaman?"
Well, during this long winter in Estonia, I learned to play keyboard and cuica, and after making "Ça Roule Rastaman," I realized that the result was quite original. I contacted Abbey Road studio in London to finish-up the mastering and I was very surprised that Simon Gibson, who received a music Grammy Awards for his work with the Beatles, contacted me back within few hours that he was very interested to collaborate with this project.
Could you share some of your musical influences and how they have shaped your sound?
By fay, my musical influence are Bob Marley and Jimmy Cliff. I will also add Stevie Wonder. That's why "Ça Roule Rastaman" is reggae, pop and soul music, all together :)
What are your future goals or aspirations as a musician?
My only goal in music is to make people happy. When I make music, I don't focus on my perception, I focus on how people feel it in their heart. I make music on emotion and feeling. Not mine, but how others feel it. I focus on the best feeling of others.
Bunny Alex On the Making Of “Habits”
Can you tell us about the inspiration behind "Habits" and the story it tells?
I would say that the main inspiration for “Habits“ was escapism and summer. I was feeling down and a little lost, and so I tried to imagine a story where everything has a happy ending; a love story, a summer setting and a hopeful main character who falls for all the clichés and feels untouchable. I wanted the song to be upbeat and fun, but with a dreamy and almost nostalgic and sentimental touch. “Cruel Summer“ by Taylor Swift and “Jackie Onassis“ by ELIO were definitely playing on repeat.
Can you share any memorable experiences or stories from performing "Habits" live?
I’ve loved performing that song live. I think it has a certain energy, and I usually reserve it for the end, as a way to tie everything together. I remember playing at the 2ubeXtra festival at LIPA in Liverpool, and as soon as that bass came in I could feel this sense of connection with the audience. By the last chorus, I had people singing along to the “Everybody loves Paris, we should go sometime“ line. Not to mention my amazing band, who were dancing and vibing along. That was really special and one of the most fun experiences I have had on stage.
How do you feel this single represents your artistic identity or musical evolution?
I chose “Habits“ as my debut single because I think it embodies who Bunny Alex is so well. Happy but sentimental, naive but completely aware, hopeful yet unsure. The lyrics are visual, personal, and clever. I’ve always loved vocals and harmonies that almost seem to melt into the rest of the music, and this song is full of that. I really want to keep evolving with each new release, while still staying true to my own artistic voice.
Could you share some of your musical influences and how they have shaped your sound?
I already mentioned Taylor Swift, who is one of my biggest inspirations, I’m a huge Swiftie! The stories she tells and her whole evolution across different styles and genres is just amazing, and her lyrics are written with so much care and intelligence. I also love MUNA (one of the best live performances I’ve seen), Anna of the North, ELIO, The Japanese House, Lorde… I can never get enough of that modern indie-pop, electro-pop pop sound. No one exists in a vacuum, and these artists have shaped the artist I am today in almost every way.
Looking ahead, what are your long-term goals and aspirations as a musician?
For now, I will keep releasing and working on music and cool content. In the long-term, I would love to do an international tour someday, see all these different places and connect with different people from all over the world. Of course, it would also be a dream come true to work and collaborate with some of the people I’ve looked up to my entire life. I think most musicians, including me, just want to make music for as long as they can and use it as a way to understand the world around us, and share that with others. That’s what I want to do.
Rusty Reid On the Making Of “Our Love's With You”
What was the creative process like for this particular "Our Love's With You?"
This song was one of my earliest songwriting efforts (this version is recently re-recorded). At the time, I was still struggling to get my balance as a singer-songwriter, still writing some not-so-good songs. But this one stood out as a quality effort. As the melody came together, I knew I had a winner here. Now it was just a matter of finding words that would adequately serve the melody.
Were there any challenges or breakthrough moments during the songwriting process for "Our Love's With You?"
In retrospect, this seems like it might have been a challenge, but it actually flowed through me (as songs and other art often do) fairly effortlessly. I wrote this song on piano, a different approach from my usual guitar starting point. That turned out to be key. My piano songs end up quite different from my guitar songs. I think that's mainly due to sticking closely to a chord progression on guitar, while allowing the melody to more freely evolve on the keyboard. I don't think this song would exist at all if I had tried to come at it via guitar.
What do you like the best about this track?
Well, there is a lot to like about this song. The melody stands out as one of my best, I think. It was written for my little sister, who was at the time graduating high school and soon to leave for college. So it has that personal aspect to it, for me. But I tried to write it so that it might have a more universal interpretation.. Somebody, a "baby," is leaving home. The reason why is not addressed... or where they may be going, except to to escape "the cold" and seek the "sunshine," which I suppose could be any number of things. Some kind of collective (thus the "Our") is offering a final counsel that includes, 1) trust in your young idealism, 2) live life fully, don't hold back, 3) persevere, stay focused, 4) be confident you will succeed, and, most importantly, 5) rest assured that no matter where you go, you are loved. So for a relatively simple love song, it has some valuable messages.
How do you approach collaborations with other musicians or artists?
It's true that occasionally I play all the instrumetns on a song, but I actually don't like doing that. The only reason would be that I like something I did in the demo, and just settle for that version rather than possibly losing the vibe. But I prefer to work with other, better, musicians, who can bring their ideas and skills into the production. I've had very few experiences where that just flat didn't work out very well. This track only has one other person playing. Jed Demlow is a multi-instrumentalist in Nashville whom I count on quite often. All the parts Jed is playing on keyboards were on the earlier version, as well. He nailed the parts, and threw in some of his personality, as well.
Can you tell us a bit about yourself and how you got started in music?
I grew up on the plains of West Texas. It was not an exciting place to be, so you had to invent your own entertainment. Like many musicians, music was always around my house as a kid. We had a lot of good to great players and singers on my mom's side of the family. I started piano lessons around the age of 8, then a few years later moved over to guitar mainly. Shortly after I got my first guitar, I started to write songs. I really don't know why I thought I could do it. None of the others in the family were actually writing songs. But I just had this confidence that this is what I should be doing. Literally no one else would have shared that confidence if they had heard the songs I "composed." Even I didn't like them; I knew they were awful... just rote melodies and the blandest of lyrics. But that confidence never went away. I kept at it... for years... until I finally got a song I liked. In retrospect, it wasn't very good either... but it served its purpose as a little reward for my struggles, propelling me onward. Yet, constantly I would hear a song by real songwriters like Bob Dylan or Paul Simon or Gordon Lightfoot and think, "This is hopeless; I'll never be able to write anything like that." Well, that much is still true... but I finally was able to start crafting some songs that I liked, and that - whoa! - others liked, too. I'm still trying to refine the craft and write songs that are memorable... and actually say something unique. I'll probably never reach the mountaintop, but I'm still trying to blaze my own path up through the melodic foothills of the popular song.
Floyd Joynes On the Making Of “Arrival”
What was the creative process like for this particular single "Arrival?"
The creative process for Arrival was very organic. I entered into a flow state and the music just poured out of me.
What was the initial spark or idea that led to the creation of "Arrival?"
What led to the creation of Arrival was the initial desire to create a meditative, ambient type track. I started off with some pads/strings and the rest of it just flowed out of me.
Were there any memorable or standout moments during the recording sessions for this single?
The most memorable moment for me was when I felt like the production was done and I pulled a drum machine to experiment with different kick patterns. Before I knew it, the 2nd half of the song was born. It's essentially a meditation type track and film score combined!
Are there any future plans or projects related to this single that you're excited about?
This is the first single for my upcoming Album "Kaleido Dreams" which is set to release at the end of August.
How do you continuously grow and evolve as an artist?
What helps me expand and grow as an artist is me continuously striving to learn my instruments better and listening to music that stretches me and inspires new ways of creating.
Bluhm On the Making Of “I’m Not Okay”
What was the creative process like for this particular single "I’m Not Okay?”
Creatively, this song was born from a few chords strummed on a guitar by John that I (Claire) just couldn't get out of my head. We sat down together and I started singing and the words just poured out of me. We had most of the song written in under an hour and then John got to work producing the track while I focused on perfecting the vocals. It really came together quickly and I think we knew we had something that felt special to us right away.
Could you discuss the lyrical themes or messages conveyed in this release?
The song is about obsession in relationships and how strong feelings and emotions can take a toll on your mental health when the only thing we are focused on is love or losing love. I think sometimes we can completely lose track of ourselves and who we really are when we are in these kind of obsessive moments and this song is a representation of that emotion and those raw feelings.
How has the audience response been to this song during live shows?
This song is so new that we haven't yet had a chance to play it live but we are really excited to share this one with our fans. I'm really looking forward to getting into these emotions and performing this song and all the others off our upcoming album. We've been totally focused on completing our debut album so we haven't had much time to play shows lately.
Are there any upcoming projects or releases that you are particularly excited about?
We are releasing the music video for this track in the next 2 weeks and we'll be releasing our debut album at the end of August. We're also really looking forward to playing the Kalamashoegazer festival on October 14th in Kalamazoo. Michigan.
What inspired you to pursue a career in music?
John Marion’s love for music began at an early age, and he has been focused on music and improving his craft for most of his life. He grew up listening to an eclectic mix of artists including Cat Stevens, Elliot Smith, Pavement, but it was the music of John Lennon and the Beatles that influenced him more than anything else. The Beatle's innovative approach to music and their ability to connect with listeners on a deep level inspired John to pursue a career in music. He spent several years traveling and performing in a variety of venues, writing and producing music with several other projects, before finally meeting his musical and life partner, Claire.
Claire, on the other hand, honed her songwriting skills while she was also professionally studying marriage and relationship therapy. She spent several years performing songs she wrote at local open mics before meeting John at an open mic in 2021. Upon meeting, the two were instantly fans of one another and knew they had to start working on a musical project together. Her unique vocal style is characterized by a dreamy quality that perfectly complements the band's lush, atmospheric soundscapes. She has been compared to artists like Dolores O'Riordan, Mazzy Star, and Victoria Legrand.
Jay Luke On the Making Of “Me And My Demons”
How does "Me And My Demons" reflect your musical journey and growth as an artist?
As a songwriter, I feel like my work is a personal diary. And each album is a continuation of what is going on in my life or what I am surrounded by. This latest single from the upcoming album is definitely a walk through my mind. It shows the journey is always an ongoing thing and I feel it is the most ambitious and strong effort we have released so far.
Could you discuss the lyrical themes or messages conveyed in this single?
As I mentioned earlier, my songs are always a deeply personal look into whatever I am going through. I have been thriving on chaos, so to speak. By saying that I mean when things seem to be in shambles around me or my life may be a total mess, I end up having the most success musically. Kind of ironic, I suppose. The themes in the song have to do with living under stress, battling insomnia, facing deadlines, madness, all sorts of daily frustrations and then finally when everything is silent in the vampire hours of the night, it's just you and your demons.
Can you talk about the recording and production process for "Me And My Demons"?
The recording process was very organic. I record at JL Studios in Olyphant Pa, with Joe Loftus (who is also my bassist) and Jay Preston as producers. They are the guys I trust most with my vision of these songs and they know just when to point me in a direction if I may be veering off or just generally suggest some ideas to help make things come to life. I personally feel this song more than most has one of the greatest lead guitar and solos on it all due to Michael "Duds" McDonald, who's been with me now for the last three albums and he just gets better and better. I think our guitar sounds really mesh well. We have really grown so much as an entity, which I think shows very much on this new album.
Are there any upcoming projects or releases that you are particularly excited about?
Well, this single is the title track for what will be my fourth album of the same name "Me And My Demons." It should be released in the early fall of 2023. In addition to that, I am in 2 other bands that are both also about done with each of our prospective albums. Reach For The Sky is a band I am in that is almost done with our fourth album release, and The Stones Of Atlantis is the other band I'm in which will be releasing our debut album. So there are a lot of exciting things on the horizon.
Are there any specific artists or musicians you dream of collaborating with?
I have been fortunate enough to work with a few artists I really admired and looked up to since I was a kid and had them both perform on my first album. Carl Canedy, who was a member of Manowar and The Rods, drummed on my first release. Adam Bomb, who has played guitar with John Paul Jones of Led Zeppelin, Michael Monroe of Hanoi Rocks, and so many others. I felt very fortunate to have him on my album and to have done some shows with him as well. As far as people I dream of working with, I would love to work on music with Andy McCoy of Hanoi Rocks, Shirley Manson of Garbage, and Keith Richards of The Rolling Stones if I am throwing out my all time dream world scenario.
Robbie Rapids “Jasmine Girl” - Review
Robbie Rapids channel heartbreak through “Jasmine Girl.” In the reverberant, shivering guitarscape, the singer-songwriter tells the story about his Jasmine girl, who has just left the relationship during the time of writing. The ethereal dreamscape carries a touch of lingering warmth, while the heart aches, searching for familiar scents. Rapids’ lyricism paints the picture of a breakup so real while engaging emotionally with listeners.
When it comes to relationship and girls, the lyricist write the most heartfelt song that makes you feel young and vulnerable again, experiencing those tender feelings and heart race along with him. Before “Jasmine Girl,” “Adolescent Lover” delivers a heart-tickling storytelling that feels so fresh and raw. Similarly, “Jasmine Girl” carries the unapologetic, alternative rocker’s attitude, layered with washed-off soundscapes that feel slightly dizzy and out-of-touch.
Though the shivering effect portraits a soul lost and wasted in the world without his Jasmine girl, the warm timber traces the details of her touch and smile. Nostalgia along with the lingering, haunting feeling seem to be the ghost living inside Rapids’ “Jasmine Girl.”
The singer-songwriter/guitar has teamed up with music producer David Levene, who is known for his involvement in the legendary psychedelic rock band Laghonia. “Jasmine Girl” marks Rapids’ fifth release after their attention-grabbing “Rock Ain’t Dead.” Another thing about Rapids is that he never stops exploring the possibilities in his music. The rocker certainly has many different sides (edgier, dirtier, messier) that worth listeners’ time to explore.
ON “Make Me”
Change always manifests a counter movement of nostalgia and retro, and with the world tumbling away from where it used to be, the reminiscence for the past has only heightened. Indie rock band ON answers that call, bringing forward a contagious, adrenaline-inducing new single. “Make Me” echoes the frustration of growing up and the aches and longing for an unattainable past with funk-infused grooves and power riffs in homage of 90s college rock, grunge and post-punk. Something that everyone can Dave to and scream along. “Make Me” is about making memories and connections.
Through a storm of turmoil and chaos of wanting against a bleak reality, “Make Me” hits hard. It delivers the gut-wrenching nostalgia that feels like coming from another era, but at the same time, rips off the bandage and exposes the wounds. Brutally honest and straightforward, “Make Me” doesn’t shine away from bleakness and frustration.
But in the end, it elevates the contrasting emotions that seem to tear you apart from inside—acceptance. We’ve all grown up. Reliving the past is on borrowed time, and in the end, it’s time to look forward and live life like yesterday. “Make Me” is accompanied by a bright note and a contemporary twist that completely shifts its meaning in the process.
ON is led by bassist and vocalist Lucy di Santo and joined by drummer Dan Cornelius and guitarist Steve Fall, who have all been members of other popular Toronto bands.
UNKLFNKL “Goth Girl”
Gabriel Maga, aka UNKLFNKL, teams up with Jake Hays on the genre-bending single, “Goth Girl,” taking a nostalgic drive past teenage years, reliving the agony of an unattainable crush. Angsty, hard-hitting, punch-throwing, but emotional and cathartic “Goth Girl” hits all the right spot, itching those unscratchable pain in teenage years.
The inspiration for this track goes all the way back to high school. Thinking of a crush out of reach, “Goth Girl” rides between hormones, impulse and the overwhelming experience of being a teenager. A part of the past somehow becomes alive through “Goth Girl.” Armed with a ground-shaking, powerful electronic drop, a guitar, stretching the envelop of indie pop, the single has the taste of memory yet breathing the air of the present. “Goth Girl” is one of a kind yet highly relatable.
UNKLFNKL is a top 100 Glabal Shazam electronic artist with releases under Universal, Warner, Soave, Magic and Effective. “Goth Girl” is a bold departure from UNKLFNKL‘s previous work, separating itself with a mainstream finish and an innovating edge.
Moon and Aries “KNOTS”
Entanglement, doubt, struggle, and denial are the knots in life that serve you no good. Instead, untangle negativities will set you free. Created with the best intentions, Moon and Aries brings you a spiritually charged, high-vibrational single “KNOTS.” With deep retro and futuristic textures setting all constraints back to zero, the eclectic, vibrantly captivating track unlocks your potential and aims to set you free. All you have to do is close your eyes and let go.
Immersive and stimulating. “KNOTS” brings a pulsating world into your mind’s eye through an eclectic mix of electro pop and cinematic synth pop. Sonically, it’s refreshing and clean. It reminds you the really good feeling of hunger, but in a healthy way, as opposed to obsession or addiction that pop music makes you feel.
“KNOTS” is a track that cleanse your aura and recharges your energy. Like a very memorable sonic bath. It washes through your mind and body and lifts the weight on your shoulder. “KNOTS” is liberating, and it’s simply magnificent what this duo is capable of accomplishing through their music.
KAT “Rise”
KAT really impresses you with her powerfully soulful vocals in “Rise.” Expressiveness meets her naturally stunning vocal tune. “Rise” sees her further along her journey of empowerment, claiming her rightful place in the music scene. The song is an instant hit, and it grows on you as you carry it further in your life. With a blend of old school blues and souls, she gives you the power of truth and introspection. “Rise” was written during a traumatic breakup. While KAT may be hitting emotional rock bottom, the song sees the blast of rebirth. As if an empowering letter that speaks to you at different stages in life, “Rise” is about finding the strength to stand up and move on.
Even though the song was born in the thorns, it bears the bright, golden sonic palette that instantly lifts you up. You’ll find KAT’s brutally honest lyrics hitting hard as if she is speaking directly to you through the song. “Rise” doesn’t bend the truth or derive far from the truth. It captures the energy and strength as it emerges in harsh land, and that raw, authentic feeling is what makes this song really special.
At first, KAT’s vocal pulls you in, but it’s the song itself that makes you want to hit the replay button over and over again. “Rise” is full of life. It’s an empowering anthem that easily resonates with every one of us, and it seems to also inspire and evoke the same pure blast of energy to ignite once again inside you. It’s cathartic and powerful with deep vulnerability.
Read our interview with KAT and learn more about her writing process.
Punk Head: I love how intimate and honest "Rise"is. I can hear this being a rather personal project and is certainly different from what you normally do. What inspired you to write this song?
KAT: I wrote 'Rise' after a pretty traumatic break-up and when everything in my life seemed to be going wrong. By nature I'm usually a half-full kind of person, but I was struggling to see the light at the end of the tunnel. The verses in 'Rise' are my admission of this, while the choruses were the anthem I needed to galvanise my spirit, that this too shall pass. At the core of the middle-eight lies the message that the only validation you need is your own. All reminders I needed at the time!
On a deeper level, 'Rise' is about the evolution of healing. Sometimes a supportive shoulder to lean on, or just knowing there is someone there who is holding space for you is enough to spark your own self-belief. In turn, your story shared, will be a guilding light to anyone still finding their way through challenging times. It is a beautiful ripple effect we can all be a part of. I hope 'Rise' helps anyone who is struggling at the moment, as much as it helped me to create it.
PH: What was a pivotal moment in your music career?
KAT: Writing, recording and performing songs from my upcoming debut EP "Warrior Heart' has been monumental for me! Creating my own mini album of songs was something I had always wanted to do throughout my career. Suddenly, I couldn't stop writing - life was providing me with first hand-inspiration, albeit through challenging times, and a way to process some pretty painful experiences. Being able to transmute them into something healing was, with no exaggeration, life-changing for me. Leading the creative process, that had started with just a little seed of an idea, finding the right producer and musicians, trusting my instincts and believing in what I was creating, to now be at this point, finally releasing my songs! This journey has had a huge impact on my artistic evolution while allowing me to rediscover my purpose, my voice as an artist and ultimately, reconnect again with my true self through the process.
PH: What is your creative vision as an artist?
KAT: To write, record and perform songs from a real and autheticate place that hopefully will resonate. Whether that is to bring comfort, joy, to rouse or empower! I love the art of storytelling and my music videos are also a huge part of this. Music is powerful and can change the world for the better, and I'd like to play a part in that!
PH: What was your favorite moment in making the music video?
KAT: I think wearing the huge angel wings was pretty epic! I'd come up with the main concept narrative of the video a while before filming it, and the wings were the first thing I sourced! They were hanging in my house for months before the shoot, I couldn't wait to put them on! Performing at St John's Church in Hoxton, London was also a beautiful moment.
PH: What is the one thing that you’d like your fans to know about you?
KAT: I'm a big believer that our vulnerabilities are one of our greatests strengths and should be championed! It is through these vulnerabilities that often we grow more than we can anticipate and discover our 'Warrior Heart' that will get us through those difficult times.
I'd also love to thank my fans for their continous support. I am truly humbled by the love and messages I've received especially for 'Rise' - hearing about their connection to my music, and how it has helped them in their own lives means the world to me.
Aside from that... I'm obsessed with cats (it's in my name after all!), believe in angels and love the sound of the sea, with the sand at my feet and the sun warming my skin - its my happy place!
Michael Bakrnčev “Elegy”
“Elegy” opens with immediacy, drawing listeners into a grand, cinematic scenery, pulling heartstrings, intertwined with drastic feelings. Like the giant in the cover art. The melodies and soundscapes in “Elegy” evokes an almost palpable experience. But the giant also has a sensitive inner side that the artwork can’t present. There’s loneliness and agony in its atmospheric expression. Isolation, sadness, and a sense of confusion even.
Michael Bakrncev weaves an imaginary world with his composition. It immerses you immediately with the tips of your nerve stretched out to taste and connect emotionally. The “giant” in the music continues to tell you its story, through melodies and shifting soundscapes. Not a word is shed, but it’s clear that “Elegy” is a piece of music that has a soul.
The song is alive. It brings to you its whole world. The intellectual and the imaginative, the emotional and spiritual. Listening to “Elegy” is like a soul-to-soul conversation with the music. You never felt so honest and intimate with another human being, but in “Elegy,” you find this profound connection and stirringly epic experience with the music itself. Its melancholia, its struggle, and its moodiness are so naked in your ears. You hear it speaks and you feel what it feels.
Musical notes are no longer on your mind. Only stories and expression. “Elegy” is an expressive masterpiece with heart where the haunting imagery and a wonderful world lives.
Read our interview with the mastermind and learn more about the conception of this piece.
Punk Head: I love how "Elegy" takes listeners on an immersive and evocative sonic experience. What was the creative process like?
Michael Bakrncev: Thank you for your kind words about my "Elegy". I began writing the piece during Winter in 2019, however I then sidelined the piece to work on more pressing matters. I knew that I had a strong piece that would be captivating and emotionally as well as compositionally intelligent, so I saved it for another day.
It wasn't until a great sadness overwhelmed me during our multiple lockdowns that I decided to complete the piece.
PH: What motivates you as an artist?
Bakrncev: As an artist, I find motivation in many different aspects of life. One of the primary sources of motivation is the desire to connect with people on a deep and emotional level. Music has a unique power to transcend boundaries and touch the hearts of individuals from various backgrounds. The thought of creating something that resonates with someone, that can uplift, inspire, or provide solace, is incredibly motivating.
Additionally, the creative process itself is a significant driving force. The exploration of new ideas, pushing boundaries, and continuously evolving as an artist fuels my passion. The ability to express myself, share my experiences, and communicate through music is a deeply fulfilling and motivating aspect of being an artist.
PH: What has been one of the highlights of your music career so far?
Bakrncev: One of the highlights of my career was working with the Sydney Symphony Orchestra for my piece 'Hustle' - It was an incredible opportunity to share my music with a large and enthusiastic audience, and the energy and connection I felt by the musicians on stage was truly unforgettable. The experience not only validated the hard work and dedication I've put into my craft but also provided a sense of accomplishment and affirmation as an artist.
PH: Who are your biggest influences?
Bakrncev: I draw inspiration from a wide range of musical influences, each contributing to shaping my unique sound. Some of my biggest influences include artists from various genres such as classical composers like Bach, Tchaikovsky, Stravinsky, Ravel, Debussy and Takemitsu, folk pioneers like Ferus Mustafov, Tale Ognenovski, Esma Redzepova and contemporary artists like Radiohead, Björk, Cat Empire & Powderfinger. I also find inspiration from diverse cultural music traditions, world fusion artists, and electronic music producers. These influences have all played a part in shaping my musical style and approach.
PH: What is the one thing that you’d like your fans to know about you?
Bakrncev: One thing I'd like my fans to know about me is that my music is deeply personal and reflects my emotions, experiences, and perspectives. Each work is a piece of my heart and soul that I share with the world. I hope that through my music, listeners can find solace, inspiration, or a sense of connection. I'm grateful for their support and the opportunity to create something meaningful together.
Jacob and the Starry Eyed Shadows “Broke and Borrowed”
Hailing from the west coast of Scotland, Jacob and the Starry Eyed Shadows is a solo indie pop and rock project entirely created and produced by the artist. With a melancholy undertone and burningly uplifting energy, “Broke and Borrowed” is easily your new favorite pop-punk anthem.
“Broke and Borrowed” is about overcoming adversity. Catharsis mixed with a defiant sense that everyone can easily relate to. The lyrics are hard-hitting and personal, but not in a way of being explicit or too specific. In the right mood, it’s almost as if Jacob and the Starry Eyed Shadows is speaking to you directly through the song.
“Broke and Borrowed” is easily to hit hard and elevate your feelings. It understands you in every humanly possible way and deliver a note of hope that helps you through the harshness of life. Sonically, the pop punk anthem reminds you of Machine Gun Kelly, but spiritually, it reminds you of hit makers like Passengers and Ed Sheeran.
Nickon Faith “Visions”
Visions, the wonderfully expressive, eclectic sonic odyssey is yet another otherworldy addition to Nickon Faith’s catalogue. Known for his innovative approach to music producer, Visions showscases his ability to journey through experimental, infectious progressive, energetic sonic landscapes with high aesthetic and deep emotions.
The EP consists 3 original tracks from Faith and an additional amplifier remix by Jon Selbo. The title track “Visions” makes a strong opening with infectious percussion, a storm of energies, and ethereal melodies. “In Broom” elevates things to the next level with rave complexity meeting a primitive pulsating bassline, pushing it forward.
Into “Don’t Make Me Wait,” the brilliant, hypnotic mixture of breakbeat and dreamy vocals sees an energetic expansion, only exceeding your expectations. John Selbo’s exhilarating remix brings out a distinctive shade of colour to the already brilliant track. With his unique touch of transcendence, Selbo lifts the roof with rave energy.
AUTiSM ‘Neverberator’
Autism invented the techniques and sounds in Neverberator more than two decades ago. And before 2023 Omninorm Records made the album available to the public, the record was only offered as a limited CD. Like a time capsule being reinvented as a continued/new time capsule, Neverberator is like a time machine that gazes into the past with the aesthetic of the present and the reflection of the future. An album that exceeds the law of time.
The law of time isn’t the only thing bent by Vadim Militsin, the mastermind behind the music project Autism. Genres, sounds, and cultural influences all received a round of reinvention in Neverberator. 20 years ago, the record was innovative and ahead of its time. And it continues to stay true today. Even now, the methods and approaches Autism experiments in relation to collective memories, eras, and modernity are something that’s simply not seen in the music world. Most records only get a slight improvement, but Neverberator steps into the new century, bending new rules to its own sonic reality.
Sonically, the record roughly resembles a huge alien machine rushing underwater. Drastic, fluid-like, and otherworldly. Its impression seems to vary each time you tap into its particular realm. It’s an aesthetic blurred into a collage of emotions, taking shape in stimulating visual experiences you have yet to taste until now. It’s something entirely new yet bizarrely familiar. Strange but highly resonating.
Rylie Wyane “The Race Is On”
In 2020, everything changed. Rylie Wyane found his life upside down, not just by covid, but also on a personal level. However, what might have been the worst brought a gift into his life—music. It was then that Wyane connected with the calling for music. His answer was initially a way of self therapy, but with an emotive and captivating cover of “The Race Is On” launching an exciting new beginning, Wyane brutally honest storytelling and his natural talent for songwriting is being recognized by the world.
In under two months, “The Race Is On” has garnered 2500 listeners without previous fan base or help of a label. His own brand of threading alternative country with rock also shines brightly from the song, bringing a personal touch to the well-known track. The narrative of “The Race Is On” resonates on a personally level with what Wyane has gone through. HIs version almost feels like an original rather than a rearrangement.
Wyane seems to have shed a new light to the melodies and lyrics in “The Race Is On.” Together with featured artist Luke Mills, they bring grit and authenticity to the familiar melodies.
"The problems of today are the opportunities of tomorrow" In the face of adversity, it would be easy for one to become bitter and resentful. However, despite being knocked down and broken, I persevered and emerged from the storm with my head held high. I hope to use my experiences to inspire others who may be facing their own struggles. Even though life can be tough and unpredictable, I believe that it can also be an opportunity to spread hope and love. If I can offer even a glimmer of relief and encouragement to someone else, I consider my journey a success,” said Wyane, in reflection of his journey.
He is currently working on four original songs and will be releasing them in the near future.
Jeezel Petes “Missed It”
“Missed It“ captures some haunting feelings: coldness; the creeping of time and the inevitable change; the flashing moments of mental glitch; loneliness; nostalgia; and perhaps, loss. Like all songs, Jeezel Petes tells his story by starting with a cold, almost unemotional riff. At times, it gives you that deep and hollow haunted feeling with a sense of spookiness. Then there’s a hint of nostalgia and the past intertwined with it. As well as painting a vibe. Atmospheric and hypnotic. It’s in-between and somehow obscure, but it can also be stirring and disturbing. It’s fascinating how few notes can hold so many different shades of color, but that’s one of the good things about Petes’ music.
There are all sorts of fleeting flairs that flash through the song, and they oftentimes give you an unreal feeling. Like a glitch in the reality that makes you question the nature of things, In “Missed It,” it almost feels like insanity or perhaps, self-doubt, coming in pair with shoe gazing reverberant guitarscape. It makes sense. The song flies in a distant mental space. Almost cinematic. Epic but still witnessing. Noticing the subtle and drastic changes that take place in time.
In direct confrontation, a bombastic, blooming bass-drum texture is being dropped into the sonic equation. The kind of war-zone aggression and classic, energetic rock allure in the percussion and bass paints a completely different picture—like the foundation, the walls, the roots of the tree. It represents these darker themed constance. “Missed It” is black and white with an occasional gray.
Petes’ vocal is moody and poignant, but moreover, he’s in the clouds. There’s the artistic explosive and expressionistic vagueness about him that makes him a little mysterious and hard to describe. If you were to ask what “Missed It” reminds you of, then it’s probably Radiohead—art in its highest aesthetic, at the same time, spiritually free.
Punk Head: I love how "Missed It" takes listeners on an immersive and profound sonic experience. What is the inspiration behind it?
Jeezel Petes: It's about, well, missing it:
“And the garden leaves us some
Only some
But it’s picked clean”
Missed It is about being born after cracks have started to appear, where everything is still standing, but the garden’s been picked clean.
PH: What did you enjoy most about making this EP?
Petes: I really loved working with Eric (Dissonant Dessert). They play bass and sing. I think the whispery, cacophonous thing they do towards the end really encapsulates the creeping feeling of unease present throughout the song. The layering feels spooky and surrounds you almost like an inner monologue.
PH: How is the music scene is Chicago?
Petes: I love the music scene in Chicago. I have been involved in the DIY scene for a minute here with my other band Cordoba. I think the city also has a real thriving post punk and weirdo rock scene with bands like Stuck and Spread Joy
Metrophobia “Crazy”
Metrophobia drops a sonic bomb with their latest single. “Crazy,” screaming out at breaking point with darkly alluring dark pop influence, tossed in the soundscapes of distorted guitar and exhilarating percussion. Fueled by the ultimate longing for explosion of pent-up anger after enduring the unbearable, “Crazy” is catharsis against frustration.
With lyrics that hit hard and melodies that get under your skin, Metrophobia represents the brand of authentic rock and pure creativity. As a song about the deeply unpleasant situations in life, “Crazy” is moodily charismatic. The Swiss alternative rock duo of Markus Gmur and Jose Garrido has a way with storytelling. Their music is the kind that you feel with your body and resonate with your heart.
And it all goes back to their unique formula of music cocktails —solid rock, hard-hitting edge in contrast with sweet and light melodies. And “Crazy” is just like that. Intimate lyrics unveil their heart and vulnerability. And that’s all they need to move the mountain—honesty, love and some kick ass soundscapes.